After separating from the iron pillars on the bridge, I crossed the bridge and headed to the north slope to find Hu Bayao.

I saw a lot of things today. I want to find an "answer" to the doubts in my heart.

Beipo is both familiar and strange to me. I am familiar because I have passed by Beipo several times. If I am unfamiliar with Beipo, it is mainly because I have been to Beipo except Erwa’s house, Caocao and his cousin.

I have never been to the house.

Following the route Hu Bayao told me, I easily found the place where he lived. It was a single-family house hidden behind a large bamboo forest from the side of the uphill road, past the big stone mill. If not

He told me that he lives here, which is easy to ignore. I have to admire Hu Bayao's ability to hide from others.

When I got to the door, I saw that it was not locked. I pushed the door with my hand, but it couldn't be pushed open. So I used the door buckle to knock on the door panel, and while knocking, I shouted: "Uncle Ba Yao."

Soon, Hu Bayao came out and opened the door for me. It turned out that he used a Y-shaped tree stick to hold it up from the inside.

After entering the house, Hu Bayao asked: "How did you feel after going to see it today?"

Me: "It doesn't feel good. I asked Uncle Tiezhu to take me to see Secretary Ma's Dianhe Fatty's Dian."

Yao Yao: "Oh, that's good. You've made all three points clear."

Me: "I think the quality of the iron pillar work needs to be ensured. Secretary Ma and his colleagues were a little annoyed when it came to their work. As for Fatty's work, I think the construction is a bit difficult."

Yao Yao: "Oh, not bad. What else did you see?"

Me: "I feel that there may be some discrepancies between the points on the drawing and the actual points. But what is the specific situation? Since I haven't looked at each point one by one, I haven't fully understood the situation yet. In addition, I think

These workers have a feeling of being 'insensitive and indifferent'. There is also the sense that some of them may be working on cement."

Yao Yao: "I know all the situations you mentioned. People, how should I put it? Some people are more upright, and some people prefer to take advantage of it. As long as you don't go too far, you can just open your eyes.

Just close one eye and forget it. They think

You have to take advantage of yourself and eat a little bit of bully to be energetic in your work. Muddy water breeds faint fish. If you don't care about everything, it will be counterproductive. He will give it to you casually.

If you throw away a little bit, all your losses will be gone."

Hearing what Bayao said, I felt like he had seen through all human nature. I recalled that when I was studying in school, I went to a factory for internship. The masters in the factory did not teach us this way. We should try to minimize the "error" in everything.

To the minimum, we must strive for excellence. It seems that there is a big difference between industry and agriculture.

I think this is a typical "drifting, dripping, leaking" situation that should not happen. For him, it is like "raising a faint fish in muddy water". Although I have different opinions in my heart, after all, I am just helping him.

Take care of it. I will do whatever he asks me to do!

It seems that there is nothing to manage in this river embankment and fort building. I can't help but feel a little disappointed. I feel that this Hu Ba is not like a person who is engaged in business. I originally wanted to learn some skills from him. Learn from him.

How to repair this river embankment and the amount of this project

How to estimate, how to organize and manage these people. Then how to deal with those so-called "leaders", how to get the "project". If you say no, you can also learn to be a "contractor". Sigh. Look.

This looks a little annoying.

It's hard for me to say that I don't want to do it anymore. Anyway, I haven't been given any specific work, so I'll have another look. If it's really not interesting, it doesn't matter if I don't do it anymore.

I stood up and prepared to go back. At this time, Hu Bayao took a key from the keychain on his waistband and handed it to me. "This key is from here. There are drawings, technical information and some books in the cabinet under the TV.

If you don't have anything to do, you can come over and play. If I'm not here, just open the door and come in to play."

I didn't take the key, I just said doubtfully: "Isn't this bad?"

Yao Yao: "It doesn't matter. I don't have anything here except a TV and some quilts. It's not easy for you to take these materials back. If you want to read them, you can read them here. Anyway, I don't understand them very well.

"

I thought for a while and said, "You'd better take the key back. I'll run around on site first. Once I've run through it and gained some practical experience, it might be better for me to look at the drawings. Otherwise, I'll just do it as a mechanical student.

I'm afraid the pictures of other people's buildings are a little annoying, because after all, the lines are separated by mountains."

Hu Ba Yao saw that I had no intention of taking the key, so he took the key back.

…

For several days, I wandered around the river embankment. I brought a small book and pen with me. I drew a schematic diagram while walking. Then I compared each point with the points on the drawing. Through my own efforts, I discovered some

Secrets. Of course, these secrets are unknown to the workers building the river embankments.

First of all, there are fifty-three points on the drawing. There are fifteen points in the Heibao Village section, twenty-seven in the Watang Village section, and eleven points in the Xiatang Village section. But in fact, the real

There are 22 points that must be repaired, namely nine in Heibao Village, seven in Watang Village, and Xiatang Village.

There are six points in that section. It can be repaired or not. It is the kind that can be easily processed. There are six points, one for black bag, one for lower pond and four for tile pond. There are also twenty-five points that can be said to be "

Those who couldn't find "something out of thin air" were five in the black bag, four in the lower pond, and sixteen in the tile pond, almost half of them.

I feel scared just thinking about it. Is there some ulterior "secret" in this?

Not only did I find out these situations clearly, but I also sorted out the actual construction conditions at each location, and then compared them with the drawings and information in Hu Bayao's drawer. I made another major discovery, that is, there were serious problems in the project.

The problem of "cutting corners". For example, the requirement is "the bottom is one meter wide, the top is eighty centimeters wide, and the cobblestones are filled with cement mortar." However, the actual situation may be: low

The bottom is 40 to 50 centimeters. Except for the visible surface, which is made of cobblestones and cement mortar joints, the inside is actually filled with messy stones, mud, random wooden sticks, etc. The top is actually very "standard".

In fact, it is just like that for the ten or twenty centimeters on the surface. The construction on both ends is also decent. Anyway, it gives the impression that the construction is very standard and very strong.

What's even more exaggerated is how those non-existent "points" were built. The real "ingenuity is infinite". They used hoes or machetes to cut out and dig out the ridges and rivers that were originally intact.

The shape of the trapezoidal fort sill is then put on a "coat of cement mortar and pebbles", and a decent "fort sill" is built.
Chapter completed!