I used my headlight to illuminate the corridor, which was so dark that it was so dark that it seemed to collapse inside. Even if we were wearing such heavy diving armor, I didn't know if there would be any problems.

I don’t know what material the walls in the corridor are made of. Under the illumination of our lighting, we can see that there are many patterns on the stone wall on one side. However, the attached large amount of mud and sand and the years of blisters are corroded, so the pattern on it is very serious.

Although the corridor is very deep, it is not wide, just five or six feet away. There is no burial object in the entire corridor. As we walked, we saw that there were palm marks in many places. This should have been made by Dan Jun when he came in.

We walked in for a while and felt a little difficult to breathe. How deep is it now? Maybe it has been ten meters. The pressure under the water is different from that on the water. I feel that I can't breathe much in every breath.

The young master's situation is not much better than mine. I took a photo of him and asked him to pay attention. If he continues, he will probably suffocate.

He nodded at me as he spitted bubbles. At this time, a flashlight appeared in front of me. I saw a jade door appearing at the end of the corridor.

The young master leaned on it and his flashlight was much bigger than mine. The front lighted up a lot.

I held him firmly and looked around and immediately attracted the relief of the door.

The door is half-arched and carved with two unicorns. It is very vivid. When I saw it, I almost felt that it was about to jump off from it.

The young master made a gesture to push the door in? I nodded and pushed it hard. The door was still moving. I knew that there might be some mechanism inside. When we were climbing down, we handed us two tricks to open the tomb door with a tool called Wanxiang hook. I didn't learn it at that time, but the young master was very good at learning this kind of thing. A few strokes came out of the tomb door and then we pushed it open.

A biting cold inside was projected out. I couldn't help but tremble. Both of them couldn't help but shrink back.

My flashlight shone in and it was the darkness of cotton, which wrapped the light in. How big is it?

We hesitated at the gate of the tomb for a long time and didn't dare to go in. I think he also felt a mysterious atmosphere coming out of the darkness in front. In the end, the young master gritted his teeth and made a gesture to push me in.

I thought to myself, your dad finally stood firm and hurriedly used a flashlight to illuminate the place with a flashlight. There were about two basketball courts, and the light of the flashlight could not illuminate the whole picture.

The silt on the ground is just a very thin layer of visibility, but I can see four strange figures standing behind the stone chamber in the dark shadows. Other places are also slim.

I have never entered the tomb chamber and could not tell what those things were, but at this time I was undoubtedly excited to know that this time I might gain a lot.

The places with those dark shadows should be where the coffin bed is placed in the tomb chamber. If this is the back hall, the coffin should be in that location.

The two Nan Chuizi said that this is the Zhenhe tomb, which may not be a human. What would be in the coffin? I was a little scared and curious.

There were no one under the water. Those strange black shadows seemed to be pottery people. I looked a little cold and shone with a flashlight while carefully approaching. I saw that there were four huge bronze figurines. They were all half kneeling there and holding something in their hands. I looked carefully and found that there were four bronze mirrors, all facing the four mirrors in the middle.

I turned around and looked at the young master and found that he had not followed him and was still outside the tomb. He scolded him for being unfaithful enough and turned around and swam into the middle of the four bronze figures.

There is a high stone platform there that should be a coffin bed. But I didn't see the big-headed coffin in my consciousness on the coffin bed, but instead saw a giant sarcophagus. The sarcophagus was almost square, just like a stone platform placed on the coffin bed.

I've never seen anything like this before.

I looked over and saw it bit by bit, as the young master said, this thing cannot be completely called a coffin because it depends on the size, it should be a coffin. The real coffin should be in the coffin.

I struggled to identify the patterns on the coffin and was secretly surprised.

The system of coffin is the fourth level of the coffin of the emperor who was set during the Western Zhou Dynasty (Note 1) The outer Mongolian is made of wax (Note 2) and buffalo skin; the second level is also made of basswood; the third level is genus; the fourth level is called a large coffin. Then every dynasty has different dynasties, like when Sun Dianying of the Qing Dynasty opened the Yuling of Qianlong. Qianlong's coffin only had two layers.

The burial system with pure stone as the coffin is very common. In my memory, it has been found everywhere in my memory, but in later generations, it has basically been unified into wooden coffins. This burial system should have been before the Western Zhou Dynasty. Then this sarcophagus should have a history of thousands of years.

Of course, when these theoretical things are used in practice, you will soon find nonsense. In the words of the young master, they do not judge the things they have dug out based on the things they have already dug out, but go back to modify the conditions involved in the book. This line of national customs, regions, dynasties, identity and beliefs are almost impossible for you to clarify them in the book.

I looked at the joints of the sarcophagus in the water and could hardly see that it seemed to be a whole, and there was no immortal sect on both sides, so I was very confused.

There are four stone rings under the coffin. Four iron chains are wrapped around the stone ring. People are under the coffin bed. I tried to pull one of them with my hands, but it was useless. The coffin is fixed here.

The material of the sarcophagus is very special. The color of the sarcophagus is emitted by my flashlight. It seems to be a bit translucent. You can see a black shadow inside the coffin. I began to think it was the outline of the coffin, but when I looked at it, the shadow seemed to be a person.

I exclaimed and the worldview was immediately overturned. What's going on? How can I just release people in this coffin?

A shadow of a man walked out from the side waved at me. I knew it was the young master who signaled me to go over. I also waved my hand to respond. Before I could observe the things in the coffin carefully, I asked him to wait for a while, but he grabbed me and pulled me back.

I don't know what he did to follow him to see the reliefs on the walls of the tomb. The subject matter is also very simple, either myths or some messy divine beasts may be obsessed with when they first entered the industry, but after a long time, they will feel very single. This is why so many literati and scholars are interested in newly discovered ancient tombs. They want to find something new.

But when I saw the relief here, I was stunned and felt strange.

This is a series of narrative relief carved on the blue-gray rock slab. The shape of the very rough figure carved on the blue-gray rock slab looks a bit indescribable. I couldn't understand what was specifically said in it.

The young master was so impressed that he kept pointing around these reliefs. I saw this guy seemed to have seen something. I felt funny in my heart when I was with him, he often did this, but often he didn't know how to pretend to know and sprayed feces all over his mouth.

He walked to a relief sculpture and shone it with a flashlight to let me see what was inside. I saw that the wall was painting some people carrying river mud with straw hats. This should be the dredging project of the locals in the dry water of the Yellow River. There was a stone platform half exposed outside the mud and sand in the middle of the painting. It was the same as the square coffin I saw on the coffin bed. Many people looked very surprised when they surrounded the coffin.

The young master saw that I understood it and pulled me to look at the next picture. I followed his eyes and looked at another relief. The coffin was dug out and carved with a shadow. It lay on the coffin. It seemed that it was a person, not a person. This thing was leaving the coffin and walking towards the person on the side in a very strange posture.

When I looked at Shadow's movements, it turned out to be a little cold when Dan Jun's movements were just like before his death.

And the next picture is that everyone has become dead on the ground. The only coffin is left on the picture.

The young master asked me to look at his mouth. I looked at him in his mouth and said in his mouth: "It seems like a warning?"

"Superstition." I said with my mouth: "Where are any evil ghosts."

The young master turned his head and looked at my mouth and said, "Isn't Shan Jun dead?"

I couldn't help but shiver when I remembered the expression of Shan Jun's body, and cursed: "Don't give me this set of strange powers and gods, be careful not to hear you produce one."

The young master muttered and stopped talking. Maybe he thought about what happened during the Cultural Revolution. I took a photo and wanted him to start looking for something good. I also want to see where the bronze piece that Shan Jun gave me was broken from. The young master nodded.

The two of them calmed down and went to check the funeral objects around them before walking two steps. The young master came to pull me again. I thought you are fucking annoyed. I always feel uncomfortable staying in this dark water. I always feel like something is around. I turned around and asked him what he was doing. But when I turned my head, I saw the young master leaning against the wall and keeping gestures to me.

I thought something was wrong and turned around and saw a pottery standing in the corner behind me.

When I was looking at the relief just now, there was nothing in the place. I thought I was strange and thought that I had read it wrong. I took the flashlight and then I looked at it. The pottery man suddenly turned his face like mud.

Note 1: Pu (pi·second tone) In ancient times, an elliptical wine vessel.
Chapter completed!