When Fu Tiao went back, the house was closed. After Fu Tiao returned the divination card to him, he went to bed directly.

For the next three days, at six o'clock in the morning every day, Fu Tiao did not activate the alarm clock, so he woke up directly from his sleep, got out of bed, washed up, and prepared to take the earliest bus to school.

All the roommates in the room have not yet woken up.

He came back too late in the past few days and didn't communicate much with his roommates. He just said hello and went straight to bed.

It's not polite to wake others up before their relationship has reached a particularly close level, so Fu Tiao also went downstairs as quietly as possible to avoid waking them up.

It's okay to roll up, but it's not good if it affects others at the same time.

The morning in Haicheng is not cold and quiet. Many shops have opened their doors at around six o'clock, and dense crowds of people are shuttling through the alleys of the city, taking steaming breakfasts from various shops.

Different from those in Zhongzhou Wucheng, people here don't like to eat noodles while walking. They prefer to sit down and enjoy breakfast slowly, or take their breakfast away directly.

Having breakfast in a traditional dim sum shop may be the only place where you can slow down in the fast-paced city of Haicheng.

Fu Tiao's memory of being at sea and the stomach of the Chinese people made Fu Tiao choose rice cakes.

From a movement, music is gradually broken down into several sections, and then continues to be broken down into phrases and musical ideas.

I slowly pulled out the Chopin feeling in my music through constant practice and in-depth study of details.

And in classical music, the most important thing is the details!

This time, he indeed succeeded in capturing all the details of Chopin's three polonaises, but Chopin's image was not particularly completely unified.

The number of works he has completed now is a bit too small. The number of Chopin's works is far more than five or six.

The fluffy and soft rice cake is wrapped with a golden fried dough stick, and the sweet oil is deep into the pure white rice cake. Even if you haven't eaten it yet, you can feel the beauty of this traditional Chinese breakfast combination.

Haicheng Conservatory of Music is worthy of being one of the top three music conservatories in China. Even if it is just seven o'clock and the piano room has just opened, there are already dense numbers of students running to the door of the piano room to make reservations for themselves.

The taste is not limited to rice cakes full of carbohydrates, nor is it limited to dry and greasy fried dough sticks. The combination of the two makes the taste comprehensive and harmonious.

Fu Tiao shook his head helplessly, quickly brushed the music score in his hand, and kept understanding and analyzing it. After confirming that there was almost no room for analysis, he put down the music score in his hand, switched to another piece, and continued to practice a new round.

, to find an absolutely perfect state of Chopin in his own music.

Not to mention several sonatas and concertos by Chopin.

That is to say, when Chopin just started learning to write, in the works he wrote, Fu Diao barely managed to construct an image of Chopin's childhood, a genius boy.

Instead of just holding the sheet music and starting to play.

The image of Chopin's childhood gradually made some progress on Fu Tiao's side.

He doesn't think about what other people's Chopin is like. Just listening to other people's Chopin has no meaning to him. What he needs is his own Chopin!

At the same time, in conjunction with Chopin's historical documentation, let's think about what Chopin was thinking in his head when he was writing music.

Fu Tiao asked the boss for four fried dough sticks and two slices of cake, plus a small bowl of soy milk. He just sat on the bench in the shop, grabbing the rice cake with the fried dough sticks, taking a sip of the soy milk, and watching the cars on the road.

Cars came and went until breakfast was over and the time came to seven o'clock.

To be a bit narcissistic, when Fu Diao looked at Chopin, he always felt that Chopin might be similar to when he was on the boat?

Moreover, listening to music can only give you a general idea, and there is no way to perfect the details in the music.

Fu Diao gave up the listening music that he was so proud of.

It's just that Chopin's works are more in line with classical music composition methods and can be regarded as standardized writing, while Fu Tiao's previous writing on the ship was pure improvisation.

Currently, the works in Fu Diao's hands, including a new piece that has just been analyzed, are only five or six, all of which are from Chopin's unnamed collection of polonaises.

Time passes quickly and the music keeps repeating.

He has now developed a habit, that is, before practicing the piano, he first takes out the piece to be played today and analyzes it before playing it.

He wants to continue to dissect Chopin's music, completely dissect Chopin's music, and then understand it.

Finally, it was time for the piano room to close, and Fu Tiao walked out of the piano room, his expression not particularly comfortable.

The current work is only a few minutes long, but all the later works are nearly ten minutes or even longer.

This was just the simplest Chopin Polonaise at the beginning. It had not yet reached the pinnacle of etudes in romantic music. It was played by later generations to a Chopin etude that was not considered an etude at all.

The analyzed performance can help him better understand the work and gain a deeper understanding of everything Chopin wants to express in the work.

If you upgrade quickly in the early stages, you can basically make rapid progress on your own. However, as you get to the later stages, if you don't have a systematic study, your progress will be smaller, and you will eventually end up in a dead end and be unable to leave.

The process was stuck, and Fu Tiao felt that he might have reached level 10 or so.

After Fu Tiao honestly arranged a few piano spots for himself, he turned around and headed to the library.

Fu Tiao could see everything Chopin wanted to express in his music and all the problems he encountered when writing this piece of music.

The direction of music became extremely clear in front of Fu Tiao. It was no longer pure music, but became a more precise expression.

Therefore, even though the closing time had not yet come, Fu Tiao still walked out without any hesitation.

Chopin is not something that can be learned directly just by practicing.

Just by listening to a general type of music, you can draw inferences and write many, many musical works.

Chopin, seems to need more thinking?

And how should we interpret this kind of thinking and special feeling?

He felt like he was stuck in a stuck state, which made him uncomfortable, but there was nothing he could do about it.

Compared with the first analysis, this repetition is more of a repetition of details. Every practice seems to make a little progress.

But, it's not enough.

Forget it, forget it, continue to paint the works? Try to finish the works as soon as possible and build a complete Chopin.

This time it may really be as predicted before, with a threshold of ten levels.

Fu Diao shook his head, cleared away his strange thoughts, and looked at the work in his hand.

However, when he just walked out of the school piano room building, his steps suddenly stopped and he couldn't help but look into the distance.

Near the school concert hall, a new sign was being erected by a group of students, with posters posted everywhere.

Fu Diao took a look and saw that the sign seemed to be about a seminar on music teaching methods. To be precise, it was the International Piano Teaching Conference.

Just as Fu Tiao was about to leave, he suddenly noticed a very important piece of information out of the corner of his eye.

The content of this seminar seems to include Chopin? The fourth day is Chopin Day?
Chapter completed!