Before this, An Yi was indeed busy with the creation of "American Journey to the West" and "The Legend of Wukong", but these two comics are just short comics, and there are already novels and original movies in her mind, so her adaptation efficiency is still very high.

She draws comics, unless she has plots and characters that she particularly likes, such as "Britain Lin" version of Dongfang Bubai, she will choose to modify the original work. Otherwise, she will restore the original taste of the original work as much as possible, so that readers of this world can appreciate the charm of classic works in another parallel world through the comic genre.

Because of her top painting skills, she can always show the attractiveness of the original classic works well. If the comics she adapted were to let the original authors see them, they would also be satisfied.

Anyi naturally knows how to play to her strengths and avoid her weaknesses. Although industry insiders think that Anyi's original ability is against the will of heaven, and if she is combined with her superb painting skills, it would be strange if she fails. In fact, she knows that her actual ability in the original work is not very good, because she stands on the shoulders of giants, but her painting skills are real.

An Yi took a lot of effort into the opening of "A Chinese Odyssey" because it was a big scene.

She was originally thinking that after she had painted all the classic martial arts, she would draw fairy tales and fantasy, but this time, the plan could not keep up with the changes. She could only temporarily postpone the third part of the "The Legend of the Condor Heroes" trilogy, "The Legend of the Condor Heroes", and then start it after painting "A Chinese Odyssey" and "The Legend of Wukong". I think that with the title of "The Legend of the Condor Heroes" in the third part, the sales of "Qingman Weekly" can also be improved.

The short comic "American Journey" is divided into two parts: "The Moonlight Box" and "The Legend of the Immortals". When the previous "The Moonlight Box" was serialized, "The Legend of Wukong" was almost over, so she could naturally free up her hands to draw "The Legend of the Condor Heroes".

Now due to the unfavorable situation encountered by the online game "Fantasy Westward Journey", a subsidiary of Ping An Technology Group, she had to choose to draw "World Journey to the West" and "The Legend of Wukong" first, and finally made the game "Fantasy Westward Journey" popular with the original "Journey to the West" that finally made the game "Fantasy Westward Journey" get the popularity it should have.

The original animation of "Journey to the West" is currently on the air, but the ratings can only be considered medium to top, and it is far from comparable to the ratings of An Yi's comics after animation, so it needs An Yi to use her new work to drive it.

After all, whether it is Teacher An An or Teacher Yi An, she is very famous. Sometimes even if An Yi is randomly graffiti, she may be praised by her brainless fans and interpret various profound meanings. So fame is good. People with great fame seem to be good.

Readers of the works under the pen name An'an have long been accustomed to "over-interpretation". On the "Zhihu" website that Ping An Technology Group has launched, An'an's "eva", "East Evil and West Poison" and even "Summer Solidar Not Arrived" have been interpreted over and over again by various masters, not to mention her literary and artistic works such as "Bird Collection" and "Serious Moment". People who think they have a good reputation like to be related to An'an's works. It seems that after reading An'an's works, their spirit has been sublimated.

Literary and artistic youth probably like to use Teacher An’s works to show off the most...

The opening chapter of "A Chinese Odyssey" mentioned above is the fight between Guanyin Master and the Monkey King. In fact, this scene is not very good in the movie, because the special effects were not too developed at that time, and it was impossible to show the sharpness of Guanyin and Sun Wukong. However, An Yi's comics fully demonstrated this battle of gods and demons, which far exceeded that of martial arts works!

She just used the fighting scenes in "A Chinese Odyssey" to make her familiar with fantasy and the fighting descriptions in fairy tales in advance. Novelists can use words to evoke readers' endless imagination, but cartoonists must express that shocking picture to satisfy readers.

Therefore, it is really difficult to really describe the big scenes of fantasy and fairy tale works. Then again, in fact, there are very few people who can describe fighting scenes well in novelists. The main reason is that martial arts words can also be described in a more realistic way and convincing way.

But in fantasy, there are various magic weapons and magic tricks in fairy tales. Sometimes, you can kill three thousand worlds with just one sword. This kind of battle scene is simply unthinkable for ordinary cartoonists, let alone draw it.

If you insist on drawing, the final result is probably like the "50 cent special effect" that is often criticized by the audience in movies and TV series, which seems very fake.

However, An Yi's imagination and imagination that ordinary people cannot reach can ensure that she can depict the battle scenes of fantasy and fairy tales very grandly, and it can make people feel very realistic. If the works of other cartoonists are "50 cents special effects", then An Yi's works are "Hollywood special effects blockbusters". To achieve this effect, imagination, imagination, painting skills, etc. are indispensable.

In fact, An Yi has shown her brains in many of her artistic paintings. Many people think An An’s brains are simply bottomless, or they have received information from the ten-dimensional different world. Otherwise, how did she draw such incredible images?

Like the beginning of the comic "A Chinese Odyssey", An Yi used her amazing imagination and superb painting skills to fully portray an extremely grand battle between gods and demons. Guanyin's huge "Heaven and Earth Dharma Image" and Sun Wukong's magic weapon "Ruyi Golden Cudgel" were presented to readers in a shocking way. Those readers who are exposed to this type of comic for the first time will definitely be deeply attracted by such a burst of points!

The beginning of the article not only has grand scenes, but also interesting and funny scenes. It is naturally the character Tang Seng-

"Wukong, you are too naughty. I told you not to throw things around. Why are you... Look, before I finished speaking, you threw away the stick! The moonlight treasure box is a treasure. If you throw it away, it will pollute the environment. What if it hits the child? Even if it can't hit the child, it will be wrong to hit the flowers and plants."

"You want it! Wukong, if you want it, just talk. If you don't say you want it, how can I know if you really want it? Although you look at me sincerely, you still have to tell me what you want. It's impossible that you say you want it and I won't give it to you. You say you don't want it, I insist on giving it to you. Everyone should reason with it! Do you really want it? Then take it, don't you really want it, right? Do you really want it?" (To be continued.)

ps:

The first update today~~~ Please recommend votes, monthly tickets~~~
Chapter completed!