For a genius painter of An Yi level, she has mastered the basic, advanced, simple or difficult painting skills. The paintings she draws may have to be achieved for decades, but An Yi's pursuit of paintings in painting has never stopped.

His talent in painting is beyond the imagination of ordinary people, but he is also extremely hardworking. As well as Master Xu Liyong's extreme severity in painting, this has created An Yi's magical skill in painting!

It is said that mortals can catch up with geniuses through diligence, but when geniuses put in more effort than mortals?

Such a genius will never be able to catch up with such a genius in his lifetime!

The tortoise and hare race is an interesting story, but if the rabbit insists on sleeping after running, the tortoise will never catch up with the rabbit.

In the field of art, whether it is painting or music, those who can truly shine are always only a few geniuses.

At this moment, countless content about bamboo painting flashed through An Yi's mind—

When drawing bamboo, first draw the rod. When drawing the rod, please note that the bamboo joints in the middle part are longer and the bamboo joints at the upper and lower ends are shorter. When dots, the ink is heavier. If you write calligraphy, do not repeat them completely. Pay attention to changes in thickness, dryness and wetness.

When adding branches to the main bamboo pole, do not add only one side to avoid unbalanced center of gravity of the picture. The shape of the branches is like a magpie claw. However, the style of the painting and rain bamboo will change accordingly.

The brushwork of painting bamboo is like the brushwork of writing calligraphy. When drawing the roots and main trunks of bamboo, it is like the brushwork of "regular script", which is steady and powerful and penetrates the back of the paper; when drawing small branches, it is used to use the brushwork of "cursive script", which is smooth and completed in one go.

If a few or dozens of bamboos appear in a picture, pay attention to the bamboo and the branches, and do not be on a horizontal line. When painting a bamboo pole, there should be changes in the brush and ink. Through the thickness of the bamboo pole, the thickness of the ink, the dryness and wetness of the ink, etc., to create a relationship between reality and space.

Draw bamboo leaves, you must...

When painting the top or branches of bamboo, you should...

Drawing Hsinchu...

Bamboo painting style...

Painting Rain Bamboo...

The leaf-grouping technique of "two silkworms reach the head" is...

The method of drawing leaves of the word "其" is...

The leaf-grouping technique of "Four Fish" is...

The leaf-grouping technique of "Flying Lonely Goose" is...

When painting bamboo, it is important to composition and the relationship between gathering and dispersion. The layout of bamboo leaves in a painting is gathering and dispersed, and cannot be treated evenly. Wherever it is gathering, where it should be dispersed, and where it leaves blank space, you should consider and plan before painting. This is called "confident"!

In the short time when An Yi got the brush, all the accumulated experience and skills of bamboo paintings in the past came up!

But with these alone, the Chinese paintings about bamboo drawn can only be regarded as "garbage" by the strict and harsh teacher Xu Liyong, because a painting drawn with perfect skills is ultimately just a painting, a dead object!

Only when the spirit and spirit are incorporated into the painting, the author's own understanding of life and the world can it have its charm and truly become a masterpiece!

Therefore, it is really rare to be masterpieces that are truly passed down forever. Even if the fakes copied are fake, they will never reach the height of the original work. It is precisely because they do not have the spirit of the original author!

The poem says: Articles are natural, and they are obtained by a wonderful hand. It is pure and flawless, so how can it be done by humans? You look at ancient Yi tools, and they are both clever and clumsy. The Han Dynasty and the pre-Qin period have been very pure. What is the Hu tribe? It is rich bamboo mixed with sad silk. Later Kui will not be made again, so who will last for a thousand years?

Not only articles, but also famous paintings are "just obtained by a master". If An Yi had not encountered the lowest and most difficult experience in her life, she would not be able to understand the spirit of the "Bamboo and Stone Picture" she was about to draw. Even if she was familiar with the famous Qing Dynasty calligrapher and painter, Mr. Zheng Xie, one of the "Eight Eccentrics of Yangzhou", the song "Bamboo and Stone" by Mr. Zheng Xie, one of the "Eight Eccentrics of Yangzhou", I was so familiar with it that I could not be more familiar with it. I could not remember it after going over and over again.

But can the author who has suffered a blow and has a smooth life? Can he feel the feeling of being "thousands of thousands of blows" be written by "no blows"?

Teacher Xu Liyong's scolding at An Yi even more exciting. In memory, when Xu Liyong first accepted An Yi as his student, he didn't know how kind and close he was, as if he had discovered a peerless treasure, but that period was too short, so short that he could completely ignore it during the long-term learning of painting.

But the short and warm memory has been remembered by An Yi until now. She always feels that as long as she satisfies the teacher, she will definitely be treated with such a kind attitude again.

But even after An Yi tried his best to meet Xu Liyong's requirements, he would not receive any praise. He would only say "No bad!" and the next requirement would be even higher, but this also made An Yi full of motivation and goals, and always upward!

During this process, she also developed deep feelings for her teacher because she found that her painting level was always improving rapidly, reaching a level that ordinary people could not imagine. Just like before, she said that Jiang Zimo's Chinese painting was just her level in elementary school, which is to tell the truth.

Until Xu Liyong asked An Yi not to learn painting from him and let her get out, An Yi was suffering the biggest blow in her life at that time - her parents died unexpectedly and then lost the lighthouse in painting. She was completely confused. She had nothing except her brother. She even thought that her painting was too bad. As Xu Liyong said, "There is no spiritual energy, garbage, waste." She herself felt that she had reached a bottleneck...

An Yi, who knows nothing except painting, never knew she wanted to participate in the New Calligraphy and Painting Awards Competition in every city every year, and then won the national painting award step by step, and even eventually won the championship in the three traditional art worlds. She always felt that she was still painting too poorly and not enough.

Today, when she met Teacher Xu again, An Yi felt a sense of joy from the bottom of her heart, but she was hit by the teacher again. For some reason, she felt very wronged and her eyes turned red all of a sudden. She always felt that she had been given up by the teacher. Could it be that she really could not gain a foothold in the field of art painting?

When she poured her soul into the pen to draw the "Bamboo and Stone Picture", she suddenly thought that since the teacher looked down on her so much and thought she was a waste, why did she carry the commercial illustrations she drew for the magazine with her? She also cut them down and kept them with her. It was really inexplicable. She could be sure that it was a coincidence to meet the teacher today...

Could it be...

As An Yi painted, her serious look with her lips pursed and her face was dissatisfied with stubbornness gradually changed. A trace of curve was slightly curled up, revealing a dazzling and beautiful smile. Her writing was becoming smoother and smoother. An extremely open-minded and optimistic mood was also integrated into this Chinese painting that was increasingly likely to become a masterpiece of history!

Some painting appreciations can no longer sit still. They all stood up, their eyes showing shock, and they looked at the more and more relaxed, and their painting postures became more and more elegant and confident. They all felt dazzled because they were clearly a top painting master painting!

incredible!

I really can't believe it!

How old is she? How did she cultivate her master's temperament?

Only Xu Liyong still tilted his head, held his hands in his chest, and his face was rigid, as if he would never be satisfied with An Yi!

At this moment, An Yi's mind remembered the scene of seeing Xu Liyong for the first time. He tilted his head, bent down, and handed the brush to An Yi with a soft smile on his face, and just said to her young, "Do you like painting very much?"

"Well, I like painting very much!"

"Okay, learn from me."

At this moment, she met the teacher again, and she wanted to say to the teacher: "Teacher, I really really like painting!"

She felt like Mitsui Shou in "Slam Dunk", kneeling in front of Coach Anxi and said, "I want to play basketball."

However, she conveyed what she wanted to say through such a Chinese painting that has returned to the field of art painting.

－－－－－－－－－－－－－－－－－－－－

The first update~~~~~ Please bookmark, click on members, recommend votes~~~~

Thank you [Xi Ling Apostle No. 233] [Drunk Sheng Meng] [Ling Xiao. The Last] [Hidden Tears in the Starry Sky] [How cute the Third Madness is] [Dream Shadow of Heaven] [7ぐ·Atmosphere] [Greetings d3 regrets] [Yaofa] [Cangyue I Love You] for your reward!!!
Chapter completed!