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Chapter 959 works that can subvert the worldview

This day happened to be the rest of the magazine of "Science Fiction World". Guo Yingchun, who has been preparing to retire, has become increasingly lazy. He can't help but recall when he was the editor-in-chief. How could he have such leisure time? Even if it was a legal day, he had to work overtime. It was a top priority to establish a good relationship with the cartoonist he was responsible for.

In the comics industry, the relationship between the editor-in-charge and the cartoonist is very subtle. If both parties are novice, it would be fine. They might grow together and promote each other. In a harmonious atmosphere, a comic work is a reflection of the efforts of both the cartoonist and the editor-in-charge.

The editor in charge must be careful. To put it in an exaggeration, you can't let some willful authors drive in a single episode to turn the show into **, right? And even though you don't look at the freedom of speech in Greater China, some things that are too bloody and cannot be painted, especially if you touch some sensitive ideas, you can't just have bloody and dark curious scenes.

Therefore, the editors in charge sometimes play a role in supervision. Most editors will definitely not change the core plot of the cartoonist's story. They will only make some suggestions, including business skills, etc. Such editors are of course very popular with cartoonists. After all, they can help new cartoonists avoid detours.

Therefore, the relationship between the cartoonist and the editor is the default unspoken rule. The only exception to this day should be An I. Fortunately, she has never painted any sensitive works. In addition, her backstage is too hard, so she can do whatever she wants.

Perhaps he was once the editor-in-chief of An Yi, and it should be her brother An Li. After all, he is the first person to see An Yi’s new works. Sometimes while he praises it, he will also put forward some of his own opinions. An Yi thinks that some of the opinions are good, so she will naturally modify them to make the plot more outstanding.

However, not all editors and cartoonists in this world have a good relationship. Some senior editors will seem particularly impatient when they are in charge of new cartoonists. They are completely forced to draw comic works that can be popular in their minds. However, many talented new cartoonists have lost their aura in the long-term oppression. The works that were originally very bright and brain-like have also become routine works like assembly lines.

The comics industry in Greater China is so developed that many tricks that make readers happy have long been summarized, just like the Hollywood standard commercial blockbuster in another world...

Now that Teacher An An has created so many schools, there are many editors who think they are smart, and they directly let the cartoonists who are responsible for completely adopt Teacher An An’s settings. Of course, the name must be changed, and then it will be simple. It is just to follow that standard routine. Although there will be many people complaining about next, some readers find it very satisfying and interesting.

Anyway, many aura cartoonists are really ruined by such editors. For example, the deputy editor-in-chief Liu Xiaoli was famous for her strength when she was the editor. In the end, she did not train a newcomer. However, because she is particularly good at dealing with great cartoonists, she is really smooth in the magazine...

The relationship between top cartoonists and editors is even more interesting, because as long as they are thick-skinned, they can completely treat the editor as a servant. After all, for top cartoonists, they have already broken out of the shackles, and it is definitely because the magazine wants them. Once they are unhappy, they can do this without leaving the master here and have their own way of staying at the master. Even if the pseudonym is bound, as long as they firmly believe in their own strength, they can still be popular with the new work of opening a vest!

Facts have proved that when many of her vest-opening works were exposed, everyone was surprised to find that the reputation and sales of those works were not bad at all, which shows that An Yi's strength is indeed too strong. Even if there is no publicity or even a new vest, she can rely on her own hard power to achieve "the fragrance of wine is not afraid of the deep alley".

Anyway, top cartoonists are scarce resources, so the editor must be coaxed like a grandson. At the same time, they will never be able to point fingers at the content of the comics. Who gives you so much confidence in the editor? Since you are so powerful, why are you just an editor instead of committing to comic creation and becoming a top cartoonist?

Guo Yingchun is really tired and tired of her work anyway. The most important thing is that she is naturally tired. What a good opportunity before. An Yi is one step away from the serialization of "Science Fiction World". She can't go back on her promise, right?

Even though she just said casually during the live broadcast, An Yi still kept her promise very much. As a result, in such a situation, the two pig teammates completely made An Yi give up on "Science Fiction World" and took advantage of this opportunity to take back her casual words. Fans naturally understood An Yi very well and only felt that the editor and cartoonist of "Science Fiction World" was really too arrogant. How could An Yi go there to suffer...

Guo Yingchun felt that if he was ten years younger, he might be furious and criticized Liu Xiaoli, who did not know how to be awe at all. At the same time, he also refused to remove Xu's manuscripts and painted whatever he painted. This kind of work could be published in "Science Fiction World", which made people laugh.

Unfortunately, he is really old now and has no ambitions. He is expected to retire next year and doesn't want to care about that much. Anyway, even if "Science Fiction World" has its own specific loyal readers, it will not be affected by other comic magazines...

When he thought about this again, he was holding a "Qingman Weekly" in his hand. There was no doubt that he just wanted to see what the work An Yi wanted to contribute to "Science Fiction World" was like.

He had to admire the overwhelming publicity of An Yi's works and some sensational slogans. Anyway, "Science Fiction World" definitely cannot praise An Yi so much. Even if she is indeed very good in the comics industry, such publicity requires too much money and energy...

What is that sensational slogan?

This is a work that can subvert all readers’ worldviews!

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