"Old Meng, this girl is pretty good."

The bald Xu Yisai looked like a lsp, and his tone was extremely vulgar and said beside Meng Qingzhou and Lao Pan;

Big breasts, fiddly, and absolutely sexy figure. It is indeed very conspicuous among the very slender actresses who auditioned, and the legs are indeed a bit thicker. Especially today, I was wearing summer clothes, and my shortcomings were fully exposed. If I could be more slender, it might be more attractive!

"Although the little girl's waist is not thin, the curve between her waist and hips is very questionable. If she could practice her waist and hips, she could imagine what would happen in the future. Kill people!"

"Brother, I'm only 21 years old, can I have a bottom line?"

"Bah, you are not qualified to say this, right, Pan Zi, by the way, what's this little girl's name?"

Pan Anzhi opened the information in his hand, right at the same face, and whispered: "The girl group who came back from the side of the bastard is called Cheng Xiao. Mr. Meng is right. It's from 1998, tsk, there is stock!"

After the role of "Captain China" was confirmed, the special effects also began to be produced at the same time. As for shooting, it actually didn't take much time;

As the producer, Du Yang has already taken the film crew and prop team to the venue to make preliminary preparations. Meng Qingzhou originally planned to go there at the same time, but was kept by Jin Shuli for one day;

Film and television linkage is a routine operation in the entertainment industry in China in recent years. "Detective Chinatown 2" is being filmed in full swing. According to Ning Hao, it is difficult to complete the filming by the end of September, and the post-production will take place in three months. There is no big problem with the release of the New Year holiday at the end of the year;

Lao Meng was speechless with these two guys. Mr. Jin made a big scene today, just to show Jumei’s importance to this online drama, and to try to make the selected characters close to the adapted characters of the script;

Not for them to come to the beauty pageant!

"Can you have a little bit of a positive look? Haven't you seen any girl keep looking at us? Sister Jin asked later, I see what you said!"

Xu Zheng twisted his waist and leaned on the back of the chair. He was a little idle. The recent creation of the Hug series was not innovative. Ning Hao asked him to follow the crew of Detective Tang 2, and he was too lazy to leave;

"What's hard to say? Is there anything I don't have enough spirituality and my personal qualities are OK, and it's worth crafting."

Carving? What a fucking thing!

Old Pan leaned his head from behind Meng Qingzhou and looked at Xu Zheng, looking like a fool;

Seeing Kim Soo-ri coming here, the three of them became serious;

"Jumei should have bought a lot of copyrights. An online drama is such a big gimmick. As for, Boss Meng, this is an adaptation of your movie. Is there any statement?"

Meng Qingzhou spread his hands, "I'll tell you one more thing. This online drama is produced by Xinli and Jumei and iQiyi. It's of high quality. I haven't even seen the script yet, and no one has notified me before!"

Xu Zheng and Pan Anzhi looked at Lao Meng while surprised: "No, can they still not believe in your level?"

Haha, these are two different things!

Because when Yang Xiaohu and Jin Shuli contacted each other, they reached a consensus in private. Both of them knew Meng Qingzhou's usual temperament and would definitely not help them adapt the movie into a TV script. So they simply let Jumei's screenwriter's department take the pen. Although it may not be so good, online dramas, and they are series, so they don't have to be so rigorous!

"I'm not very good at the scripts of TV series. That thing is too troublesome, especially movie adaptations!"

Although Meng Qingzhou has a wall, he has written or contacted for more than ten years. No matter how professional he is, he can still tell the script creation about 123 times;

The novel text includes original scripts and becomes image text. The first priority is the issue of time.

Because commercial film and television works usually have time limits, the industry calls them real time. Japanese dramas are 9 to 13 hours, domestic dramas are 30 to 45 hours, and movies are 90                                                                                                      

Such a time limit is called the real time.

The length of the script story is called drama time, and the text conversion should be smooth. The first problem is that drama time must be able to be included in the limit of real time. If you can't be installed, you have to shoot the x-section like Jackson.

The second is structure;

If the story can be finished within the time limit, then the second question is structure.

Whether it is a movie or a TV series, in general, you still have to obey the so-called structure of the traditional drama (stage play). That curtain, which is understood in Chinese tradition, is the beginning, inheritance, turn and end, and each curtain is a large structure.

Start, a paragraph.

Inherited, a paragraph.

Turn, a paragraph.

Together, one paragraph.

This is the so-called syllogism. Qualified works in the modern film market are already insufficient. It means that at least you have to have a few such structures, and some stories are difficult to turn into film and television products.

For example, "Remembering the Past Times" and "The Catcher of the Wheat Field", they all have problems of one kind, so novels like this, even if they are literary classics, they are always difficult to succeed on the screen.

If you succeed, you can become a classic.

The best example of understanding the structure of the curtain is Shakespeare.

In the story structure of Shakespeare's plays, the concept of the curtain is often strong, with extremely powerful benefits and benefits, and the narrative of the plot always has a drastic turn, so it is very suitable to make changes and move them onto the screen.

A better example, the same drama, who can make "Waiting for Guotuo" well?

Then you can talk about the role;

Especially for movies, you must let the audience recognize your character in a very short time, so as to create a sense of substitution before you can immerse yourself in your storyline. In the imaged works, the distinction between the characters is a very important prerequisite in the entire "business".

....

The same similar example is Liu Zhidan.

How important is Liu Zhidan? How many novel texts are interpreted on the market? However, there are many parts of this story that cannot be touched. The materials that can be touched are insufficient, and the possibility of writing is zero. Therefore, no matter how great Liu Zhidan is, there is zero movie in Chinese film history, and there is no movie.

All movies related to Liu Zhidan must be described indirectly. You can only use Liu Zhidan as a supporting role and use other irrelevant protagonists as a set-up for him.

Is the richness of the characters? Can the characters be accepted by the audience? The expansion space and scale of character description are actually a huge problem.

If a character cannot gain a foothold, then the novel is written with a thicker book, and the possibility of film and television is still zero.

And all the premises must be a story.

This seems to be a correct nonsense. Most novels are based on stories, but there are exceptions, such as "Remembrance of the Years" created by Marcel Proust.

The seven volumes of Yangyang are basically all the murmurings of "I". In addition to some social life, descriptions of the world's coldness, and long passages of feelings and discussions. Being able to read them is an amazing feat, so a question appeared on Zhihu, "How many people have carefully read "Remembrance of the Years Like Water"?"

The storyline of a novel is different from that of a movie. The storyline of a novel can be written very literary. For example, at the beginning, a girl with thin legs like a crane can fly away like a crane at the end of the novel, but the movie cannot be handled like this. The storyline required by the movie is more closed. If a gun appears, the shooting must be completed in the movie, otherwise the gun will be invalid information.

When reading a novel, readers use their eyes to read the story written by the author and use their minds to perfect the story, such as "Add a fraction is too long, and a fraction is too short; if you put on pink, it is too white, and if you put on red, it is too red." Readers will give their own specific image of beauty in their minds when reading, so it is said, "There are a thousand Hamlets in the hearts of a thousand readers."

The main thing that the movie mobilizes is the audience's audio-visual organs. The image presented in front of you is concrete. The beauty mentioned above must be presented by a specific actor in the movie, but in fact, no specific image can satisfy all abstract imaginations.

The storyline of the movie can be loopholes because the movie can be evaded by visual stimulation and other means. Some movies such as "Dunkirk" use opium-like music and hypnotic rhythms to pull the audience into its story, making people fussy.

Some movies such as "Detective Chinatown", where several people escaped from the detention area and did not want to come out of the detention area, the police station hall. Facing the room full of police, the novel needs to use real means to solve the problem of escape, but the movies can allow them to escape like mv in the music of "Pink Memories".

This is the way to comedy, or rather, it is the way to movies.

Movie audiences have more sensory animals than novel readers.

Of course, it is not ruled out that there are really warriors in the film industry, such as Eisenstein. After completing "October", he threatened to film "Das Kapital". Although he failed to do so in the end, it is worth giving him a look when he dares to think about it.

There are also real fierce people like Adam McKay. His "Big Short" is basically a financial knowledge post, without any intense storyline, but there are characters.

The audience has always been pulled by whether the protagonist can finally win this gamble of adventurers and gamblers, because this is also the hidden inner desire of every viewer, who wants to be the one who can break through the loopholes in the US financial system and achieve financial freedom viciously.

Novels with distinctive characters are easier to adapt into movies or TV series.

Otherwise, the 108 characters in Liangshan are always willing to stare at Lin Chong in various art forms. This character can provide more complexity in interpreting the edges. The strength of force and the cowardice deep in their hearts, the heroism in the early stage and the tragedy in the later period provide enough space for expression for various arts. If Lin Chong is not popular, the mountain temple will not agree.

Or the characters are stubborn and stubborn, for example, in "The Sun Rises As Always", when the wife makes people sleep, he put down his gun, walked away from BJ, and found a banner to prove that the man said, "Your wife's belly is like velvet."

The smoke and dust that characters stir up in the times is a story. In this regard, character nature and story nature are inseparable. Whether it is told in novels or films, or what humans want to hear in the early days of sitting in front of a bonfire, they are the same thing.

Take the well-known "The Lord of the Rings" as an epic novel, huge world background, many character relationships, and complex narrative clues, but! The scenes of psychological activities are not mainly supported by the scene, right?

The difficulty of adapting "The Lord of the Rings" is mainly because the story is too huge, the clues are too messy, and the big scenes are too difficult to achieve. However, these can be accomplished through money and repeated polishing of the script. Things that can achieve the goal with money are not a problem. Although the success of the Lord of the Rings is difficult to replicate, they can still be copied.

In addition, the four classic works such as my country's great classics can be successfully adapted by placing events neatly through the timeline.

For example, many of the world-class works such as "The Great Gatsby" and "Jane Eyre" are novels that reflect the era through the fate of the characters. Of course, the narrative components in them will not attract attention like "The Lord of the Rings".

When reading novels, you can feel the dislocation of characters and the lingering love. This kind of novel that focuses on experience is difficult to achieve through actors' expression and lens language. However, it has to be said that opera styles like "Les Miserables" are indeed a good way.

Like Han Han's novels, it is very difficult to adapt. Each book supports the overall style through humorous words and intriguing jokes. It is undeniable that Han Han's novels look really interesting, but the story is really poor. If the adaptation is done, you can only extract some main elements and recreate the story structure. This is basically a nightmare for loyal fans.

Guo Juren's novel is in a big contrast with Han Han, and it is much easier to adapt. Various complex characters' relationships and unexpected plots do not require too much modification to be brought to the screen. Let's take a look at the beautiful and handsome guys and experience "love, hate, love and hatred". The movie is basically successful.

From this perspective, novels of this level, whether it is "The Lord of the Rings" or "Tiny Times", are relatively easy to succeed, and their common feature is narrative support.

"Bang!" As soon as the words were finished, Meng Qingzhou was patted on the shoulder. When he looked back, he saw Mimi and Sisi standing behind him, Jing Chen, who had not seen him for a long time, after them;

"Hey, why are you here? Sisi, don't say you still have to participate in the audition."

Liu Sisi spat at Lao Meng and happily supported her hands on Lao Meng's chair: "I am the producer of this online drama, don't you know?"

Tsk, in the film and television industry today, everyone can get involved!

Xiaohu and the others stood behind these three for a long time. They also heard their comments on Cheng Xiao. While cursing shamelessly, the three girls secretly compared themselves with the little girl;

The result was very depressed, and it seemed that there was no overwhelming advantage;

"Meng Qingzhou, what did Sister Jin asks you to come for? Do you still remember? Don't be overjoyed when you see the beauty, embarrassing!"
Chapter completed!