In the summer season of 2010, although Feng Dapao and Lao Mouzi's movies were released nearly two months apart, the two of the two most popular directors in China are inevitably pulled out to make comparisons;

The most ruthless thing about squirting is the comments made by Shu Ren on Weibo, which is eye-opening and also arouses a lot of controversy;

Although Feng Jugang's movies broke the box office record of Chinese-language movies in mainland China, movies are not just the mainland market, but also the Chinese market? Feng Jugang is good at Beijing accents, arrogant and arrogant, and he speaks cold humor with a stern face. Like Ge You, he is very good at it. However, the market for these Beijing accents is very small and becoming increasingly narrow. Not to mention overseas, even mainland China is mainly limited to the north of the Yellow River. Zhang Yimou is much more wise. He is good at using colors, and the whole human being will accept it! - There are no language barriers at all.

Feng Jugang's script is his daily language, or in other words, he has no ability to create at all, and just sorts out the language in life. It is precisely because of this that the lines "laughing" in "The Great Tangshan Earthquake" appear.

Because he only knows one language, one that cannot express accurately, and often uses inappropriate words. This is also the main method for Zhao Benshan and his team to make funny lines. It is okay to write funny lines. Once he writes serious and prepares touching subject matter, he reveals his feet. When the audience watches "The Great Tangshan Earthquake" for the second time, they will be surprised to find that the lines that make themselves cry are actually very funny!

Feng Jugang has no ability to express complex and delicate emotions. When he wants to express emotions, he will only use extreme methods. In "The Great Tangshan Earthquake", if you want to express sadness, you will use howl; In "If You Are the One", if you want to express friendship, you will make the big man cry for no reason, and if you want to express the troubles of love, you will use suicide... His expression of emotions has always been at the level of a "small gangster" on the streets of Beijing.

It goes without saying that Zhang Yimou's earliest success was based on sex as the entry point - attracting international attention. It also made the entire Chinese film industry suddenly discover a shortcut to be paid attention to and even recognized by international attention: expressiveness.

In the 1990s, Chinese directors represented by Zhang Yimou used expression as the main or even the only means to win international awards. In addition to "Jupu Dou" and "Big Red Lantern", in "Farewell My Concubine", Chen Kaige has begun to turn to the unfamiliarity of Chinese people, but he is a homosexual internationally.

However, no matter what, Zhang Yimou still deals with sex with ingeniousness, and sex contains complex emotions. Sex is a means, a means to convey emotions.

Feng Jugang undoubtedly realized that sex is a shortcut. Moreover, he found a faster direction for this shortcut: it doesn’t matter whether he or she enters the international community or not. Chinese audiences are more likely to be deceived, and making money is the bottom line!

Therefore, in his films, there is sex, naked sex - not including emotions, and even irrelevant to the plot - they are completely for the sake of taking off, for the sake of being exposed, and for doing it. "The Great Tangshan Earthquake" is in the truck, which is extremely dirty!

Similarly, in "If You Are the One", a third-level actress like Shu Qi and Xu Ruoxuan were specially invited, and she deliberately added a naked scene to Shu Qi. Even in "Kara is a Dog", women were asked to change their clothes in front of Ge You.

Zhang Yimou's success, "Red Sorghum" undoubtedly played a decisive role, which was very accidental. However, since then, he has produced many internationally recognized films in succession, and can no longer be explained by chance - it is the inevitability of "the sharpness of the sword comes from sharpening".

Feng Jugang, before the "New Year's film", was still a "trick" in the film industry - Chinese audiences recognized Feng Jugang, which was very similar to Zhao Benshan's overnight popularity back then - those who recognized them were people from the bottom of society, people with low cultural levels, people with a lot of laughter, and people who like dirty jokes.

The situation that Feng Jugang faces is similar to that of Zhao Benshan: there are almost as many people who like and protect Feng Jugang as they hate and criticize him. - Why? Because he is using low-level artistic techniques and immoral expression methods to discuss vulgar and vulgar topics.

Correspondingly, there must be many people who don’t like Zhang Yimou, but very clearly, there are almost no people who hate him firmly. - Why? Because he is not as low-level as Feng Jugang, he has a more artistic level.

Facing the media, Zhang Yimou is much smarter than Feng Jugang: he has always maintained an honest and silly face, making people feel: If you are not satisfied with "Three Guns", and force him to answer questions he is not good at, it seems to be "bullying honest people", like forcing a true farmer uncle to admit that he had stolen other people's food.

Feng Jugang really lacks strategy to the media. He thinks very well that his audience should accept his true nature for granted. He has had a head-on conflict with the media several times. When he glared, he was completely a rogue on the streets of Beijing: "Hey, grandson! What do you dare to do with grandpa?" - As an audience member, we really hope: such an uncultured person should not show up in public.

The box office victory of "Hawthorn Tree" this time shows that Zhang Yimou is much more skilled in business than Feng Jugang. Of course, the box office does not indicate the artistic success of the film, but relatively speaking, at least in mainland China, Zhang Yimou is also the flagship of the film.

Meng Qingzhou did nothing. His task was to complete all the late stages of "Search" by the end of November, and leave another month of publicity time for the Propaganda Department;

The entertainment industry will never lack topics, whether it is the popularity of film and television dramas, the secrets of a certain star's life, or some actresses suddenly wear rings;

That’s right, the immortal is making gossip again!

"Are you stupid? We said that at the premiere of Meng Qingzhou's movie, we put on the red carpet together. Even if a reporter asked, it could be said that our sisters had a good relationship and asked someone to buy it abroad. What should we do now?"

Qianxi, who was in the wrong, didn't say a word. She just thought it was good-looking and quietly went out to go shopping in the mall. Who knew that the reporters' eyes looked like thieves;

Yang Mi looked at Yifei for a while. After finishing her speech, she still pinched her nose in anger and dragged it to Tang Yan: "Old Tang, you are not allowed to plead for mercy this time. You must serve the family law!"

"Ah? Do we have family rules? Mimi, when is it?"

"Reba, take out your uncle's fishing rod. Today I have to beat the fairy's butt into eight pieces. My birthday gift kindly ordered everyone, and I was exposed in advance by this little girl, Humph!"

Xiaodi stood behind Tangtang and said timidly: "Sister Mi, don't be so cruel. Sister Yifei didn't do it on purpose, it's all those reporters!"

Xixi looked up at Reba with a heroic expression: "Xiaodi, go and get your uncle's biggest fishing rod and let her beat it. I will find it from him when the big ship comes back in the evening!"

Meng Qingzhou, who had entered the door less than two seconds later, wanted to turn around and ran away!
Chapter completed!