Manda slept until noon, but her physical strength did not recover much. His clone was still in the carriage, consuming his physical energy every minute and every second.

Yolden woke Manda up, and he sat beside Manda's bed, his curly silver hair hanging on Manda's face.

Manda opened her eyes. If it weren't for the lack of strength, he would have called out.

Looking at this shy and nervous young man, Yolden really liked him a little, but unfortunately he couldn't hear Manda's voice.

Death sissy, what are you doing so close to me? Manda cursed in her heart, avoided Yolden's silver hair, put on her clothes and sat up.

"Missary of the messenger, it is time for you to send me the blessings of the Lord."

Manda nodded: "I want to pray for you, I have to go to the carriage to get the statue and candle."

"I have these things," Joelden laughed, "in my castle there is a church."

"I know you are a devout believer, but my image and candle carry the Lord's light, and ordinary things cannot be replaced."

Yoldon shrugged and without stopping, Manda followed the waiter to the stable and got into the carriage.

Only when the distance is not more than ten feet, can Manda withdraw his clone. When the clone returns to his body, Manda breathes a sigh of relief and feels that a heavy bag is removed from her shoulders.

Old Yaman took out a stack of parchment from his arms and stuffed it into Manda's hand.

Manda was not in a hurry to see it. He knew that Old Yaman had succeeded, and the big crab really didn't disappoint him.

Next, he would follow the waiter to pray for Jorden. Jorden and Rickan seemed to be very idle and waited in the church early.

There is no way, the scenes that should be done must be done. Manda kneels in front of the statue of the Lord of God, thinking about the process of prayer.

If praying like an ordinary divine punishment person seems not to fit his divine identity, looking at Jorden's expectant eyes, Manda spoke his native language again.

"Great Hermes, please look here. The talisman of the God of the Night is tormenting me. It is sucking my divinity and my soul. Please protect me and let me get rid of this terrible talisman. Please help me and keep this damn sissy away from me..."

Not long after, Yoldon heard Manda's even and deep breathing.

"He's asleep?" Yoldon looked at Rekan.

Rekan shrugged, "Maybe he is listening to the Lord's oracle."

After sleeping intermittently for a day, Manda finally recovered some energy. After dinner, when she returned to the room, Manda took out the parchment paper that Old Yaman gave him and smiled with satisfaction.

There are eight paintings, I don’t know if they were painted by Lao Yaman or crab. Although they are not standard maps, they are very vivid.

This painting reproduces all the scenes in the tunnel with the movement of the crab, and looks like a comic strip.

The first picture is that the crab hiding under the flowerbed heard the call of Lao Yaman and dug into the tunnel with two huge pliers.

What language do they communicate with each other? Does the crab know what is happening on the ground? Or can the old Yaman command the crab's actions at any time?

Manda was very curious, but this was not the point.

The second painting is a scene in the authenticity. Judging from the painting, the authenticity is very spacious. Cancer can easily turn around inside. There are also a row of fire plates on the walls on both sides, which should be lighting facilities.

The third painting is an upward staircase, proving that it is either an exit or an entrance.

The fourth painting is a room with walls on all sides, no windows, and a door. The crab in the painting does not open the door, but is stretching the crab legs out of the crack of the door.

Since it is a room, it proves that it should be an authentic entrance. Cancer dare not open the door because it is afraid of being discovered, but what does it do to stretch out the crab legs?

The fifth painting returns to the authenticity, and the picture is basically the same as the third painting.

The sixth painting is another staircase, proving that it has reached the authentic exit here.

The seventh painting is a piece of weed. The crab caught a snake in the grass and was tearing the snake's body with crab claws.

It seems that this painting is indeed drawn by a crab. It should be hungry and has drawn all the scenes of eating.

But then I thought about it, such a smart crab would definitely not draw such boring things, and the painting was very vivid, even the blood beads dropped from the snake were clearly drawn.

Blood, Manda understands the crab's intentions.

In the last painting, the crab lies on a huge willow tree, looking at the castle.

The amount of information in this painting is very huge. First of all, the castle on the picture is very small and a little blurry, proving that the authentic exit is very far from the castle.

Judging from the outline, the architectural layout in the picture is the north side of the castle, which proves the location of the authentic exit.

Finally, it is this big willow tree. Manda has seen this crab and knows its size and can bear its weight. It proves that the tree is also big enough and can definitely be regarded as a landmark. With this information, coupled with the blood stains left by the crab, it is enough to determine the location of the tunnel entrance.

It’s hard for this crab that can only draw, so I have to remember it as a third-class merit.

Manda strung the eight paintings together, drew a map, and stuffed them to the Styx Island together.

Worm took Manu and Og to join Manda's army a day ago. After Manda left, the army was commanded by Encia. Worm handed over the paintings in the Styx Island to Encia. Encia looked at it for a long time and was confused. It was not until she turned to the last map that she understood what Manda meant.

Tira said, "It turns out that there are authenticity in Wisteria Castle, but what are the uses of the previous paintings? It is enough to have the last painting."

Encia shook her head and said, "The previous paintings reveal a lot of information. Come and look at this castle. There is a moat around it. Then look at this room. This is the authentic exit, but this door may not be able to open."

"Leave me the moat matter, as for that door," Tira smiled, "even if it is an iron gate, it cannot stop Holna's divine power."

"Speak quietly, be careful that she slapped your head." After making a few jokes, Encia was a little worried. Holna was responsible for the patrol and alert at the camp, but it was almost dawn and she hadn't come back yet, nothing would happen, right?

Worm asked, “When will we send troops?”

Encia said: "We have to wait for news from Lord Sphinx, and we must make sure that we are safe enough around us."

"At most, until tonight," Worm said coldly, "Manda's situation is very dangerous, and it is possible to lose his life if he delays for a moment."

Tira shrugged and said, "When the lord left, he said he didn't have to worry about him. And I heard that the Count of Wisteria was a gentleman. As long as the lord did not reveal his identity, he should not..."

"This is not what I said," Worm looked at Og, "this is the instructions of the great prophet."

At noon, the bruised Leo woman returned to the camp. Encia said in a shocked look: "Have you met the enemy?"

The Leo nodded without saying anything, Moaila said, "I blame me for being late. I met a crazy woman. She saw our camp."

Encia gritted her teeth and said to the messenger: "The whole army sets off and advances immediately!"
Chapter completed!