The painters didn't know Qiao Yu's move, and they looked at his cell phone one after another.

Lao Tong looked at Guo Huaisheng with serene satisfaction and asked Wan Changsheng where his teacher was.

Wan Changsheng thought about it and did not say it was his ancestors. Only after seeing the world outside could he know the secret technique of passing on men and not women in Guanyin Temple. It was like a cabbage outside: "I have been making Bodhisattva clay sculptures in the temple and making stones in the stele forest. It is a rural craft handed down from generation to generation."

The burly Guo Huaisheng simply sat down to face Wan Changsheng.

This man who had been greeted by the dean at the handling meeting and left with his sleeves, now he looked at Wan Changsheng with bright eyes, as if he was recalling something: "I remember... When Lao Gou criticized you for being a bad person, he seemed to mention that your simple drawing method is the style of ancient Buddha statues. I didn't expect you to really understand clay Buddha statues?"

Wan Changsheng, who specializes in Buddha statues for more than ten years, is humble: "A brief understanding of one or two."

Lao Tong and the others were already laughing: "This is how you understand a lot!"

"Guo Dapao, he is embarrassed to show off in front of you!"

"Boss Guo, now I introduce my disciples to the agency to pay commission fees. How much does it mean? How much will you pay for the wine tonight?"

"Good idea! Good idea."

Guo Dapao's head was not turned: "If the Bodhisattva body needs decoration, how can I arrange it?"

As he said that, he actually made a one-handed gesture of worshiping Buddha. The key was that his other left hand would naturally sag and his fingers would be hooked inward.

The painters wanted to read it carefully, but they couldn't help laughing out loud

Guo Huaisheng was afraid that he was 1.9 meters tall, with a round waist and wide body like a big brown bear, but he made such fine movements, which was a bit cute.

Fortunately, Wan Changsheng didn't laugh. If he had said that at the first time at the school entrance examination fraud case handling meeting, he had no impression of the leader of the sculpture department who left, and now he finally recognized it. This was the first time he went to the sculpture department to make a pilgrimage to Ma Zhenyu, facing the magnanimous and casual teacher of the freshman.

Now, as long as you discuss majors, you will immediately focus on your teacher.

He respects such people very much: "You are carrying a shawl in your left hand..."

I took out my small sketchbook from my pocket and outlined it on it.

So it is convenient to draw. Unlike a guy with broken hands, it is difficult to express his content after a long time of gesture. Now you just need to draw it easily.

This is really familiar to Wan Changsheng. He has painted too many Bodhisattva shapes, and his plain drawing techniques are as Professor Gou said, with typical traces of ancient Buddha statues, such as kind-eyed and kind-eyed eyes, peaceful face, elegant and luxurious movements, neither fast nor slow.

This is really his old job.

A Bodhisattva with a similar movement to Guo Dapao was drawn in just a few strokes. The painters who gathered a bunch of heads were not amazed, as anyone among them had this skill.

But the characteristic of Wan Changsheng's art of specializing in that drawing the shape of the Bodhisattva is only a basis: "Buddhism was introduced from India and blended with the Central Plains clothing. Bodhisattvas all brought the Chinese aesthetics from the Han and Wei dynasties. The clothing decoration should be based on that time, crossed cloaks and decorated garlands. You see, because the traditions from India valued necklaces and waist decorations, the more decorations the Bodhisattvas are, the more decorations they are, the more important they are. After the Han and Wei dynasties, it is very important to transfer to lower body decorations. Look at the grand manner of the court officials, dragon robes and even ordinary wealthy families. There are many decorations on the front. Then as there are more and more Bodhisattvas, they are made more and more casually. Necklaces, bracelets, shawls, and especially the garlands hanging on the lower body are omitted..."

As I said this, the tip of the pen skillfully advances on the Bodhisattva layer by layer, from the bracelet at the beginning to the necklace decoration with a particularly beautiful chest, and then the shawl that was like a scarf on the shoulder, but also like a small robe and shawl. Two long straps crossed, one was placed on the arm of the right hand to worship Buddha, and the other was carried by the left hand.

"I have only recently started to learn more about Guanyin's modeling, and strive to fill in the parts that I knew the truth but didn't know why. Speaking of the sacred silk, the Hada that Tibetan people love to use now is its final simplified version, but it was much more complicated in the early days of the Bodhisattva."

As the two light belts were finished, they were strings of garlands, that is, decorations made of beads and jade. The wide one on the front of the waist and abdomen, both of them were hanging down from the ground.

Just looking at this picture, you can imagine that such a Bodhisattva will certainly look holy when he walks around.

"The shape of jewels strung together is certainly from India, but they were originally hung around their necks, because we had a set of ribbons in the Han Dynasty, it was combined with this pearl and jade decoration..."

The young and middle-aged painters were making noises.

In terms of superb painting skills, they are sure that each of them can kill Wan Changsheng in seconds, and their talents may also have their own strengths.

But as they entered the palace of art, even if they had studied some ancient portrait characteristics, they would only understand this image style at most.

But Wan Changsheng shows unquestionable comprehensiveness and proficiency.

At least in terms of Buddha statue shape, his deep familiarity with clothing is an attitude of doing academic research.

The key is that there is such a deep foundation in painting clay sculpture.

Guo Huaisheng stood up without saying a word any more, "Let's go, go with me to Rongdu."

Then he waved to the bar owner on his own: "The account here is settled on me... They haven't finished drinking it, so I'll come back to check out the bill tomorrow or the next day?"

Wan Changsheng was surprised that the courses for the new semester had only started for less than three days. In the professional courses, students had just begun to start drawing long-term sketching homework in a transitional manner, that is, expanding the exam exercises that were drawn in two or three hours into the size of a small dining table, and they had to strode for two to three weeks.

Why do you suddenly leave school?

Lao Tong and the others also started to cheer: "Why, do you want to sell Changsheng at a good price? You are not familiar with you, so you have to explain why first. He is managing an art exam training school with hundreds of people. You should be flattering him. Can you help you find some good seedlings?"

Guo Dapao seemed to be really a cannon guy, and he was straightforward and didn't go around: "How can there be so much nonsense! I have a temple sculpture project in a temple next to Rongdu, with hundreds of Bodhisattvas in shape, and I just missed an assistant who knows what he knows. I will naturally become familiar with it after walking with me. I will not treat students badly. When I go back, I will say hello to Lao Zheng and ask for leave. Will I leave? If I want to learn sculpture, follow me immediately."

To be honest, I have already wanted to vomit when I became a Bodhisattva. This time, I made this stage clay sculpture that was the size of a microwave oven and did it completely according to my own ideas.

He really found the joy of making sculptures.

If you really want to be a Bodhisattva again, Wan Changsheng will not be interested in it from the bottom of his heart.

But looking at Guo Dapao's decisive style, if you miss this opportunity to be intimate, you will probably leave a knot in the other party's heart.

The most important thing is that I want to learn sculpture. The boss of the Chinese painting department and a big boss like Professor Gou can be without a bird because he has nothing to ask for.

But now I have found the path of sculpture, and I dare not offend this master of the sculpture department from the bottom of my heart.

Besides, they are actively raising olive branches.

Moreover, Mr. Guo’s attitude towards students is obviously very good.

So Wan Changsheng looked at the smiling old boy, nodded slightly when he got it, and stood up: "Okay, follow Teacher Guo to learn something, and please help me ask for leave."

Guo Dapao reached out and picked up the small stage sculpture on the table and neatly said: "Let's go! This thing is done well. When I come back, I'll find someone to help you put a big picture."

Wan Changsheng quickly bowed to Qiao Yu to other teachers who were smiling, and had to think about whether he would send a message to Fu Shiliang and the others, and there were still various learning and work arrangements and adjustments.

Besides, I have the title of class monitor and vice chairman of the student union, so I have to let my friends coordinate.

Of course, these things are not a matter in front of the power of the department director's speech.
Chapter completed!