Most of the reasons for sensationalism are that they do not have enough profound skills.

It is necessary to use a unique way to attract attention.

True masters often go to the extreme on the traditional path before they begin to explore other possibilities.

Wan Changsheng is now in a stage where he is still repeatedly tempering his skills.

More than ten years of self-cultivation in the Stele Forest has given him a calm mind and is very calm to consolidate his skills little by little.

Don't rush to achieve success.

He did not even waste any time on color paintings, and sketches were merely manuscripts serving sculptures.

It’s like primary school students doing addition, subtraction, multiplication and division, and also writing equations.

Many people give up the calculation formulas with calculators, but Wan Changsheng can't do it, because only by becoming more and more familiar with these formulas can they eventually overcome the Goldbach conjecture.

Painting is now just a tool for him.

Just a tool for recording, thinking, and understanding the structure of sculpture.

So his paintings are basically not considered artistic creations.

There is a kind of precision and clean industrial printing.

This is actually his characteristic when he first started learning to draw sketches when he entered Damei training.

But at that time, I didn’t understand the characteristics of Western painting, but now I have found the right direction and refined results.

The pen used by Wan Changsheng is also specially used. If you want to do a good job, you must first sharpen your tools. Just like he is used to using chrome vanadium alloy steel knives now, and then when he goes back to use ordinary homemade steel knives, he must be very unaccustomed. This is different from a master who can use a leaf as a sword. Good creative tools can bring a better creative experience.

This off-white German brush is divided into many types of thicknesses, which is close to the stable thickness of the needle pen and has the smooth experience of a signature pen. It is difficult to return to the feel of an ordinary fountain pen after using it.

It is reflected on white copy paper, which means being elegant and delicate, like a flying dragon.

A few long main lines were pulled out with gold-edged black robes crossed their legs, and they began to extend and supplement details along the main road.

As usual, the portrayal of the head and face was left to the end.

Ge Ning, who was standing beside him, and the white robes might have the biggest feeling.

What are the long lines?

It was clearly a black line drawn by a fountain pen, but after drawing it for a while, I couldn’t find these lines. I felt like I had changed a piece of paper!

The dense and detailed brushstrokes are staggered and neatly flooding the main line.

But there is no such black knot, and it feels dense and breathable everywhere.

Especially lines arranged in parallel in neat directions can make it easier to highlight their skills.

I was surprised to have a white robe.

Wan Changsheng thought helplessly in his heart that this is just a folk artist-level portrait craft and has no artistic quality.

He is not even as thoughtful as the British uncle.

So without thinking about the printing speed, the drawing will be very fast.

But in the eyes of lay people, they are very pretentious and skillful.

Amazement!

The big guy with a gold-edged black robe was obviously very adapted to being treated as the center, and could basically sit still without moving, except to take out his cell phone from time to time to make a phone call and send a message, but even if he lowered his head, his whole posture did not change.

He is also a very cooperative model.

For Wan Changsheng, the only thing that can be discussed in skillful practice may be the cloth pattern of the other party’s robe.

This time in the Italian sculpture glutton, he saw more than once the sculpture technique of pursuing the ultimate effect of fabrics.

Carved with stones to show the effect of fabric as thin as a cicada's wing.

To use the ancient Chinese statement, it should be magical.

Wan Changsheng also tried it. In the sculpture on the stage, he tried to use white marble to express the texture of the curtain.

But this time I saw the European masters hundreds of years ago to achieve their ultimate results.

Perhaps Italy, as a fashion capital, has been established since then. In short, even sculptures can show various fabrics of different textures.

The feeling of being touched on the human body is fully visible, and the relationship between fabric and the direction of human muscles is admired by Wan Changsheng.

So when facing the crisp, smooth and desolate white robe, and the fluffy, soft and fluffy gold-edged black robe on the outside, it is different from Wan Changsheng.

This texture difference can be clearly seen from the pen drawing.

Finally, I looked up and caught the moment when the other party hung up the phone and thought.

If a big man can become a big man, he should have unique qualities. Wan Changsheng ends his face with this seemingly lazy and lazy expression of the rich man.

As the final touch ended, a large number of praise and applause could be heard behind him, with unknown language.

Wan Changsheng chuckled and turned around and signaled to Ge Ning: "Okay, over?"

The British uncle's expression was very serious, and he said to Wan Changsheng more seriously and whispered: "I'm really sorry. I'm very sorry for letting you draw such a strong business work..."

Wan Changsheng was surprised that he actually realized that the painting had no artistic content, and he laughed and stood up: "This is the first time I have painted a big figure."

Then he looked at the boss over there: "Okay?"

Because the white robes behind them could not wait to hold the b3 copy paper over and present it to the boss to see.

Wan Changsheng, who has been in the Palace Museum for a few days, will inevitably think of the eunuchs or officials in the palace who also showed the emperor with this flattering attitude.

The boss stared at his portrait, his eyes full of joy or sorrow.

Wan Changsheng thought that this is what the boss should have, and he would be impressed by the things Zhang Agou and Amao painted casually.

Ge Ning stood side by side with him, perhaps in his consciousness, he believed that this did not respect Wan Changsheng enough, and did not respect art enough, and he even looked down on Wan Changsheng's creation, so he stood up front.

Well, it feels a bit like the fans of Wanchangsheng.

Then unexpectedly, the big guy in his fifties might have pointed at the painting and asked, "That red..."

This is the English that Wan Changsheng can understand. Ge Ning translated it as a second translation: "Seal, he asked about that seal, I don't think it's enough to make you stamp it..."

Wan Changsheng had a short fucking problem. He suddenly realized that he quickly took out his small ebony box from his pocket. Most of the time he didn't engrave seals, but occasionally there was always a satisfactory seal. Before grinding it off, he would stamp it as a commemoration. Therefore, this small seal box of ancestral seal can hold a seal the size of a middle finger and a fingernail-sized ink groove, which is very exquisite.

Take it out and dip it with your hands, hold it with your palm and cover it in the corner of the picture.

He was still lazy in the whole painting. He had no background and didn't even have a sofa. Only the boss sat out of thin air.

I was sitting leisurely with my legs crossed. I had the same body language as I had, but my half-turned eyes seemed to be looking into the distance. My slightly narrowed eyes even had a kind of wisdom to keep a low profile.

This is actually Wan Changsheng’s biggest feeling when studying in Italy.

Just like what he said to Du Wen, no matter how awesome an artist is, in fact, in front of all the nobles and politicians, he is a chamber pot.

The Uffizi Art Museum was donated to renovate the private office building of the Executive Medici family.

Michelangelo and Leonardo da Vinci's top works are either customized for the Holy See or sought after by some powerful people.

They have been kept by the powerful all their lives, and Caravaggio wants to be an angry rebel, so they keep running away and finally die in duels.

In addition to creating works on various religious themes, they also paint portraits and sculptures for the big guys.

To put it bluntly, it is the role of the imperial painter of the court.

Those who were able to live a little more comfortable life in the Renaissance were the first painter to not rely on the ruler, but also took on the business of many big shots.

At the Uffizi Art Museum, you can naturally figure out what kind of paintings are the best to win the favor of the boss.

Just like the theory of opposing balance, when painting the bosses, you must use a relaxed and freehand body posture to express your lofty eyes, which is the most effective way to show off.

Masters over the past hundreds of years have long summarized the routine clearly.

Wan Changsheng is just a test now.

Sure enough, the other party was satisfied, and looked up and there was another complicated language. There was a white robe next to it and translated it into English with a strong accent. Then Ge Ning dictated it into the most standard English, adding some tricks: "He likes it very much. If you want to stay and draw a few more pictures for him, you can choose the money... You don't have to agree, I promise."

Wan Changsheng just found it funny. If Du Wen was added to participate in this translation chain, it might be too spectacular: "Well, yes, I definitely can't stay and draw. I want to go back to China. In addition to studying soon, I still have a lot of work to do, so I'm sorry."

Ge Ning immediately expressed his attitude very formally like a spokesperson. Wan Changsheng vaguely heard that he seemed to describe himself as a great young painter. Of course, it might also mean it was a great meaning. He was not familiar with slang.

But the domineering president was obviously used to the idea that no one dared to stumble against him, and asked: "This can also be a job, a big job..."

Wan Changsheng understood that it might be a big business, so he had to laugh and said: "I have thousands of students waiting for me in China, and that is my big job, thank you."

Ge Ning's performance became even more awe-inspiring, with a somewhat arrogant aura: "My friend is a great man, and the time is about the same, I have to send him to board the plane."

The boss was not actually displeased or angry, but instead laughed: "Student? Do you have a lot of students?"

Wan Changsheng nodded: "Yes, the student who painted."

It seems that people around me are laughing, but they are not laughing at the kind of ridicule or laughter that the young man is still so young, but he is just bringing students.

It's just a little inexplicable smile.

The boss put his elbows on the armrest of the sofa and leaned over: "I want to ask you to be a teacher for my child...Amyra? Is he here?"

When he turned around and shouted, someone immediately increased the volume, and then a boy of seven or eight years old was brought in.

Against the backdrop of the white robe, the skin is slightly dark, the thick hair has long sideburns, the eyes are quite big, the ears are also very large, the thick lips are a bit buck teeth, and they are a little cautious.

Wan Changsheng smiled and stretched out his hand: "Do you like painting?"

Ge Ning had a proud pride on his face, and he bent down to face the child with Wan Changsheng.

Gentlemanly demeanor, especially British-style gentlemanly demeanor, emphasizes the attitude towards weak people. Even if you should be bullied, you still pay a lot of attention to it at the personal level.

Wan Changsheng, the style of the Wan family, is also somewhat similar to the Buddha...
Chapter completed!