In fact, Zhong Mingxia's working condition is still very professional.

This sketching class also asks Wan Changsheng in advance what kind of clothes is suitable for wearing, whether to show his figure or clothes.

I have been working as a model in the art academy for just one or two months and I am quite good at it.

As a result, Wan Changsheng is casual, because this is different from every model in the oil painting teaching and research department and every course that needs to be solved.

In the sketching class of art candidates, God knows what the test questions will be. For example, Wan Changsheng was a middle-aged uncle in the field, a young woman was on the roadside, and last year he was an old man and an old lady who read the newspaper.

This year there are even rumors that children will appear.

So much so that Amyra was a second generation oil generation and was brought to be a model several times.

Therefore, Zhong Mingxia’s sketching model is more meaningful than a portrait sketching model. After all, the domestic art exam sketching and portrait questions are mainly several high-end art academies. Shu Beauty is very erratic and always moves between plaster and portraits, and it is difficult to understand the rules.

In fact, Wan Changsheng knew that Lao Tong and the Dean were fiddling with the question.

But he must have always tried to inquire.

However, the sketched portraits of several major art academies rarely show young girls.

It's really smooth facial skin and thick hair, which are all nightmares for the art candidates at the level of art candidates. Many art candidates can't handle these two parts well.

This is what Wan Changsheng explained to everyone: "No matter how important the lines are, it is difficult to draw a bunch of lines on such a detailed face, and there is no way to see the direction of facial muscles. Even the outer contour of the facial is difficult to express. What should I do?"

He asked Zhong Mingxia to sit casually, and the girl was provocatively sagging, the boneless ones that made the young art candidates laugh.

But Zhong Mingxia sat down so hard and stopped moving immediately, as if time had frozen on her face. She even gently pulled half of her face and smiled, a very strange smile.

She is well aware of the mystery of posing and expressions, and it is in the state of these models.

Wan Changsheng was still very satisfied: "What I hope is that when you practice this sketch, you will portray the avatar part a little more carefully. This will also practice a portrait shape. Maybe the chance of taking the avatar of a young woman is very small, but God knows, today we will emphasize how to deal with this facial contour..."

There was a silence in the huge classroom warehouse. The teachers in charge of sketching in the teaching group all listened and took notes attentively. This was equivalent to improving the professional level. By replacing the hand, you can increase from the current teaching assistant price of two or three hundred to one thousand lecturers every day. If you are qualified to go on a lecture tour, then it will take two or three thousand days a day. The skills are realized so quickly.

More than 100 new members of Damei Society have joined the teaching group this year, which greatly alleviated the teaching density, and Han Xiaomin has listed them as the main force in the rural activities during the winter and summer vacations.

The work during the summer vacation shows that the work responsibility of members of the Damei Society is much higher than that of ordinary students in the art academy.

So Han Xiaomin also shuttled among these members to observe and understand their concentration.

For those who are in the top position, it is that simple to choose people.

People who are responsible, responsive and can make people feel reliable will definitely get more opportunities.

On the contrary, those guys who care about and cheat will soon be exposed to being given up.

But at this moment, I still couldn't help but watch Wan Changsheng use a drawing pen to quickly pull out the big lines of his body on the drawing board, and then as usual, he began to develop his whole body posture and wrinkles around the main line.

No matter what Wan Changsheng's college study has improved and changed over the past year, he still follows that set of basic principles when teaching art candidates.

It was just that I used to demonstrate on the blackboard, but now it is fully equipped and I painted on the same drawing board of the students. There is a camera that has been passing the picture from the angle of his shoulder to the huge projection of the wall behind the model. This is also to avoid the difference in size of the painting and changes in the movement trajectory of the arm. After all, even his movements are being learned.

Art candidates and teaching assistants are imitating.

But the body posture is definitely not the point. Wan Changsheng explained while painting: "The clothing is appropriately deepening the details of light and darkness. This is what I have always reminded you. Sketching can not be so many details, but details will definitely help you get more points. This is like a foreign language exam for college entrance examination. If you can't do multiple-choice questions, you have to choose abc randomly."

The art candidates only laughed in unison and focused.

Because the details of Wan Changsheng have already reached his face, he usually draws sketches and demonstrates his sketches and rarely does too much article on his face, which is left to the end to give the finishing touch.

But today is indeed different: "Why did I deliberately paint more light and dark areas on my armpits, waist, neck and chin just to set off my face? I haven't painted it yet. Do you think this face is whiter than usual?"

Everyone has different understandings, and the buzzing discussion immediately arose.

The teaching assistants distributed everywhere do not obstruct, but are thinking about each other. This actually involves relatively high-level compositional thinking and has requirements for the overall relationship between the entire picture.

Wan Changsheng said it very easily: "The easier and smoother the face, the harder it is to write. If you draw a few more strokes, it will look dirty. We will just do something outside the outline and gently set off a little shadow on the outside of the face. If there is a background, of course you can draw it into a curtain wrinkle. If there is no, just apply a little gray light, which will immediately make the face brighter. Do you see?"

His techniques have become increasingly skilled. When he feels light, he makes a pretty and delicate face appear on the paper. It is also the same piece of paper, but he feels that this flawless face is really white.

Then, follow the chin, neck, and shoulders to increase the light and darkness, making the whole face more beautiful!

All students couldn't help but applaud.

The main thing is that kind of smile-like expression is drawn. This may be the style of a master. Looking at the few strokes, the character's eyes are complicated.

Instead of just a simple stereotype of joy, anger, sorrow, and happiness.

Everyone has their own soul and has several sides of their personality. The way of labeling is either simple in the picture or lack of skills.

Wan Changsheng outlined the look that seemed to be shining and spiritual, but his expression was trying his best to control and manage it, and he tried his best to pretend to be mature and naughty.

This was what everyone looked at Wan Changsheng from beginning to end, and couldn't help but compare the models. It felt quite similar, and it seemed that something different was extracted.

That is, it looks like a model, but its soul is more interesting.

This is the refinement, summary, and recreation of art.

The advantage of the camera on Wan Changsheng's picture is that these videos will be placed on the internal learning website when looking back. Art candidates can watch and guess repeatedly after logging in with their student account.

Now there is no need to squeeze in with Wan Changsheng, just like watching a movie.

Wan Changsheng also called a sketching assistant and several art candidates, and also came to draw. He held the camera and commented one by one.

The key point is this way of painting the contrasting outline of the facial contour of young women.

This is really not common among art candidates. Wan Changsheng focuses on this because since Zhong Mingxia has come, I will talk about it by the way.

He also reminded the assistants to mention it repeatedly in the sketching portrait class as long as Zhong Mingxia is used as a model. This is a trick that is easy to improve scores.

He must have not thought much about it, and he was busy until after ten o'clock, and he used to going back to the school dormitory with his friends.

Because every night there are a bunch of people who will return to their dormitory late, the night bus has been collected at 10 o'clock, and it is troublesome to take a taxi every day from three to four kilometers. So after school started this year, the office bought two Jinbei vans for commuting, and designated a friend with a driver's license to drive part-time. Today, the road was still discussing taking the whole car to advertise the body.

Han Xiaomin also participated in the communication in the car until Wan Changsheng returned to the boy's dormitory and turned on his phone to check the time when he walked up the stairs.

I remembered the message Du Wen sent him.

It's a picture, a spherical object with unknown size. The biggest feeling at first glance is that it is a bit similar to the angular cat made by Wan Changsheng. The sphere was also broken into many blocks, but the difference is that the edges are smooth stainless steel, and the separated blocks are covered with colored mirrors.

In the eyes of students of the Academy of Fine Arts, it looks beautiful, light gray-green.

Wan Changsheng magnifies the picture hard and sees the reflection on the light gray-green green, which should be close to the glass or ceramic surface, and intertwined with the mirror-reflected edges.

When I just welded the angle cat, this was the feeling between the weld and the stainless steel block surface, but now the reverse is the welding line is smooth stainless steel, and the large area is not a mirror.

Wan Changsheng looked at it for a while and leaned against the corridor where people kept whistling by, as if he was completely withdrawn. The surrounding environment had nothing to do with him, and he was only immersed in the special beauty of this material.

It's more important that it seems to have a connection with the figure thousands of miles away.

Du Wen probably hadn't seen the Neck Cat. She heard that Wan Changsheng was making stainless steel things, but she found such a familiar and more artistic thing.

That feeling is that people will understand anything they say.

It's really good.

After a while, someone next to him looked at Wan Changsheng's shoulder and patted him: "What's the thing? It's so beautiful!"

Those who study art think this color looks good. The sky blue glaze in history is known as the wonderful color of "the sky passes by the sky and clears through the clouds, and the thousands of peaks and green waves come from the green color". This is this color.

Wan Changsheng also smiled: "The photo recommended by a friend."

After exiting the picture, I saw Du Wen write a sentence below: "This is the root of the elegant temperament of high-end fashion that I have been studying recently. I saw a century-old classical art workshop in France that was commended by the government to make buttons. I hope it will be useful to you. When you talk about the effect of stainless steel, this is what appears in my mind. It is very beautiful, the true beauty of Chinese porcelain, and it has a bit of modern atmosphere."

This is what Guo Huaisheng said about the crystallization of modern traditions, ancient Chinese meaning and industrialization.
Chapter completed!