How do graduate students from the Theatre Academy take classes?

Watch the show.

I have observed a large number of film, television, opera and opera types, and can follow my mentor to conduct research on projects.

So during this period, Wan Changsheng stayed in the director's conference room and watched a lot of performances, which was like a sleepy encounter with a pillow.

Various performance forms gathered across the country, high-level performances from major professional teams, and even face-to-face communications from various national theater troupes, singing and dancing troupes, and performance colleges.

They are all satisfying his graduate study content.

However, the richness of this content to the level of level is absolutely unprecedented.

It feels like an emperor is studying and accompanying the whole country.

It can be regarded as an unexpected gain from Wan Changsheng's identity as the director of the Spring Festival Gala.

In addition, there are a lot of things. Lao Lei set Wan Changsheng a number of at least thirty designated books per month.

Other graduate students have about 200 books in one academic year.

These are all obscure and difficult professional books, so Wan Changsheng brings this book at any time in the organizing committee and reads it on the subway.

Fortunately, he has been reading the scriptures and history books for so many years, and his efficiency is pretty good.

I have a professional book of about 100,000 words a day, and I can still take some notes after reading it.

The most outrageous thing is that in the conference room of Wan Changsheng, there are about a dozen top students from professional film and television theater schools at any time, almost all of whom have to be masters who are up to graduate students.

If you have any questions during reading, you can ask questions casually, and you can also ask different opinions from different angles of different people. You can quote the classics and have their own arguments and opinions!

It's like Wan Changsheng was originally studying at the Arhat Hall, but the Eighteen Arhats gave him small hospitals every day, and they were rushing to get in.

So why don’t he stay in the conference room all day long?

What kind of love do you have or what kind of ambiguous things do you have? Is the theory in "Expression Aesthetics" not beautiful, or is it that you don't watch much acting in "Drama Rhythm"?

That is the essence of various summaries of the predecessors over the past few hundred years.

Wan Changsheng was immersed in it, and there were various reference answers that he was afraid that he would not understand.

Learned so hard.

In comparison, Jiang Zhuqing is much more difficult. After all, this amount is not a single glance. It must be understood and absorbed, and it also needs to establish your own thinking system based on this.

The last one is the hardest.

This is exactly what Wan Changsheng has to do.

Even though he came out of Guanyin Village, his vision and vision were far inferior to Du Wen, but he had already established his own knowledge system, worldview, values ​​and thinking structure. Later, everything he absorbed was like putting books on the bookshelf in a classified manner, in an orderly manner.

Years of life in the Monument Forest have allowed him to accumulate a complete system structure.

Jiang Zhuqing hadn't even touched the built door yet, so Wan Changsheng couldn't teach her step by step.

She is like a decent Arhat boxing that can be played, but it would be too difficult to tell her the creation theory of this boxing technique or where to improve it.

Lin Chuni is better.

It was from that time that Kyoto that time to get the plan. In the past year and a half, plus the time she took the crew in Jiangzhou for the past six months, she might not have noticed the subtle changes.

I really left the classroom, not going to gossip in a flashy place like the crew, but being exposed to a lot of reality in Ganghua Street, art community, and training centers.

Just as Lao Lei asked to settle himself in the graduate class.

There are very few graduate students in the Academy of Drama, only forty or fifty a year, even fewer doctoral students, just about ten.

So basically graduate students are one-to-one mentor relationships.

Lin Chuni and Wan Changsheng are relatively rare to follow Lao Lei at the same time, but Wan Changsheng is considered a master's and doctoral program led by Director Xi, and he was given to Lao Lei's guidance in the postgraduate stage, so the two of them didn't have much time to attend classes in the same class.

The two have different focuses.

Speaking of the major in the beauty and makeup, Lin Chuni is already very rare.

She said before that she had benefited from the glory of immortality.

But when I really learn it, I seem to realize that it is not the case.

Today I was a rare place to sit together. Jiang Zhuqing's professional performance tutor came from the crew. She also took advantage of the class here, and she could use all majors in art theory.

Lao Lei was still dressed like a handsome old man, sitting on the corner of the table and chatting: "Xiao Jiang, your acting professional requires you to go to the grassroots for field trips. Have you gone? Did you do it? Lin Chuni did it. Why did I admit you as a graduate student after the interview? When you were in Jiangzhou, you really went to the ground. How do you talk about how to recruit vocational education students? I know you understand how to go to the grassroots."

Wan Changsheng hurriedly hid himself beside him, watched the conversation between the handsome uncle and the two beauties, and also drew sketches in his hand!

Lin Chuni's back was rarely straightened with a serious look on her face. She originally wanted to come and answer the question, but she was mainly waiting for Wan Changsheng to read her plan and go to the meeting at noon, but Lao Lei was caught and asked about the details of her recent work and study, but she couldn't escape.

I had to listen obediently, and it looked so well-behaved.

Especially compared with her slightly artistic and unruly dress.

It's pleasing to the eye.

Jiang Zhuqing had no time to watch, so he quickly listened attentively.

Lao Lei has been a master of stage art in the entertainment industry for decades. He is not a performer and has a good temperament: "Why do I always ask my students to go to the countryside? Because only in such extreme places in the countryside can you experience the true meaning of stage art..."

Wan Changsheng started painting Lao Lei, who was still wearing a beret in his fifties, so handsome.

The handsome old man analyzed: "The countryside is very poor and materially scarce. When everything is made, you have to participate in life. Rural people will not waste their energy to make things that have nothing to do with their lives every day. Even if it is a small road outside the village, it is a necessary product of life. A water tank and a millstone have their own origins. Students must go to the countryside to experience and find the purpose of life for each thing, so that they will not mess around on the stage in the future..."

Wan Changsheng raised his hand, Lao Lei prefers: "You come from the countryside, so you have a deep understanding."

As a result, this guy is a villain: "Times are changing. You are talking about when you are poor. Now you are gradually becoming rich. The rural people are also starting to pursue a different lifestyle and are trying many new life without them, so your old experience needs to be adjusted."

Lao Lei pointed at him and shook his hands: "You!"

Wan Changsheng is really for his master’s good: “Really, teacher, look at this…”

As he said that, he casually drew scenes on the blackboard of this graduate classroom.

This is really not showing off in front of beautiful women. To convince Lao Lei, it must be reasonable and well-founded. The key is that this is very important to Lao Lei, and Lao Lei is also the kind of wise old man who can listen to it.

As soon as Wan Changsheng painted it, the three of them immediately felt familiar: "This is the scene of "The World of No Demolition"!"

Yes, it is the indoor scene that Wan Changsheng was on the crew, to be precise, when he was filming in Zhong Mingxia's hometown.

Now it is almost a copy of the scene pictures of the time, the penniless home, the photo frames, shelves, etc. hanging on the walls.

In fact, when painting at that time, Wan Changsheng was copying the scenes he had been to Zhong Mingxia's house.

So it is particularly true, which really confirms Lao Lei's theory. Only by truly going to the grassroots to experience life can you truly reflect life.

This is the right path for artists.

However, Wan Changsheng said while painting: "Teacher, your theory is that the stage work must be closely linked to the actors and the plot. A sentence you often say is: There must be useless things on the stage! This sentence is even more of a good word..."

Lao Lei held his arms and acted as a contempt for me to see how you argued, but the corner of his mouth smiled.

Thinking, thinking, only after thinking can you dare to brag. In the eyes of a wise teacher, only such students who dare to question and debate are the most precious.

Of course it is a targeted debate, not a sophistry.

Wan Changsheng quickly drew a complete scene picture. If he found the script picture last year, it would probably be a little nuance: "Art scenes, stage designs, painting pictures, and even every word in literary creation, if you carefully craft the fine works, there should be no redundant. If you appear in the picture, what is in the text is useful. According to the teacher's theory, we can see that every item in this scene is useful..."

Until he pointed his hand at a paper-folded doll on the shelf, Lao Lei couldn't help but smile, and he was so proud!

Jiang Zhuqing was surprised: "Yes! There was a photo shoot at that time, and it was Zhong Mingxia who came to find it."

Lin Chuni was also on the scene, thinking: "Is this what she bought herself?"

Wan Changsheng nodded: "Everything the teacher said has its own uses. The first level of relationship is closely related to life and production. The second level of relationship should be a deep symbolic meaning. If we want to pick up the details, what kind of people will origami dolls? A poor person, a girl who can't afford a doll at home, and then this girl is particularly pursuing beauty. She will not cry and ask her parents to buy it, but will make one in her own way. This also reflects the personality characteristics of the character Xiaoyou, so this prop appears here, showing spiritual pursuits..."

Lao Lei was no longer satisfied, and his legs were shaking, saying: "Once, we filmed a drama, and a rich man hung a hunting rifle on the wall of his home. I pointed to the hunting rifle on the fireplace and asked: 'Was this gun used to participate in the plot or to create characters?' Hahaha, the sweat of the props came out, is it useless? He just thought it was good-looking, and he felt that the wall was empty, as if the rich man should hang a hunting rifle at his home. This is destroying the audience's entry into the situation! Do you know?"

Both girls nodded as if they had gained something.

Lin Chuni secretly looked at Wan Changsheng again. Yes, no wonder Wan Changsheng was able to get into the eyes of Director and Lao Lei.

At this time last year, Wan Changsheng had never been exposed to drama theory or stage art disciplines at all.

Just by relying on his aesthetic consciousness and artistic creation talent, he can directly reach such a height.

From this point of view, the movie "The World of No Demolition" will become popular.
Chapter completed!