After hearing Zhou Xia's words, Ma Gan and mouse's eyes lit up. Even Xu Yaohui couldn't help but turn his eyes to him again, and he also felt that Zhou Xia had made a big bet this time. (No, pop-up window...

Zhou Xia then quickly explained, "My parents believe in Buddhism, so I'm thinking about it. If you want to invite it, just invite all this set of Buddha statues home. If you can invite it back, just give me some news. If it really doesn't work, don't force it."

Ma Gan smiled and said, "You can see that the little brother is a filial person. If you want to do your best, we brothers will do our best."

"Oh, I'm afraid they'll invite them back and refuse to transfer them back." Mouse replied with some concern that neither of them was worried that Zhou Xia was fooling them. He had no need for this. As long as there was enough profit, they were quite willing to do such a thing.

Zhou Xia thanked them with a smile. He would naturally say such a scene. Moreover, his bid was enough, but in fact he was just a test. If he could succeed, he would just take it as a test. If he could not succeed, he would just take it as nothing.

Then, Ma Gan asked Zhou Xia about the contact information. Zhou Xia said that if he was not in Donghai at that time, just ask them to give the things to Xu Yaohui directly. Xu Yaohui has a closer connection with them and has a foundation for cooperation. He is considered a reputable person.

In this way, Ma Gan and mouse don’t have to worry about Zhou Xia talking nonsense.

Of course, they also knew that Zhou Xia was actually very smart. When he bargained with them before, he didn't make such a request, otherwise they would have to raise the price.

Both of them have carefully studied this Buddha statue, but nothing special. The only thing that can be explained is what Zhou Xia said, he wants to buy a group to go home and respect his parents. He wants to like something. He is willing to pay more and get it. They have seen too many such scenes. Although they are still a little confused, they are still very happy to make half of it.

They were not worried that others would steal their wealth, and only the two of them knew who they had sold the two Buddha statues before.

For the sake of safety, Ma Gan and Mo Zi also confirmed Zhou Xia's meaning again. Whether he was really willing to invite a Buddha statue at double price, the answer he received was naturally yes. Zhou Xia also said it was very convincing, and wanted to invite her parents to express her filial piety and other words. He also entrusted it to Xu Yaohui in person. With his guarantee, the possibility of everyone's cooperation will be even greater.

After dealing with this matter, everyone continued the following transaction. This time, the things Ma Gan and Mouse took out were quite representative.

So when Xu Yaohui saw it, his expression on his face became a little more radiant.

When he saw the Buddha statue of the early Tang Dynasty, he expected this. But when he really saw it, he still felt a little emotional.

This is a three-color horse riding man.

Among the antique collections in the Tang Dynasty, it is the most widely known, even as a burial object. However, the audience is quite wide and there are quite a lot of people who like to collect. The market prospects are great.

Unfortunately, most of the Tang Sancai on the market are modern imitations, and it is not easy to see the real Tang Sancai authentic products again.

Because Tang Sancai's process is not particularly complicated, the process flow and formula are no longer a secret

To be honest, this Tang Sancai is pottery, and there is a big gap between the firing of porcelain, both in terms of craft flow and artistic visual effects.

And in terms of imitation and counterfeits, it is obviously easier to imitate Tang Sancai.

A skilled imitator has refined the skill of firing Tang Sancai to the point of perfection. However, there is still a difference between imitations and genuine ones.

The most difficult thing to do is the traces left by the vicissitudes of life on Tang Sancai.

Because it is a burial artifact and a burial, Tang Sancai has always been in the tomb. In other words, the real Tang Sancai is basically unearthed, and it is impossible for any existence to be passed down from generation to generation.

In the tomb, it will inevitably be eroded by various things such as water and soil, and inevitably leave traces on the Tang Sancai. The most common one is the earth rust on the Tang Sancai. The authenticity of the earth rust is also an important factor in identifying whether the Tang Sancai is authentic.

Although the modern new imitation Tang Sancai has almost the effect of being fake and real in terms of appearance, it is still an unavoidable process to be used. In order to achieve realistic effects, almost all newly imitated Tang Sancai have been buried underground.

In order to quickly achieve more than a thousand years of results, counterfeiters also do everything they can.

The most common thing is to bury the ground and corrode the newly imitated Tang Sancai with feces. The effect is also obvious. But there is also an important defect, that is, the things made in this way are likely to have a residual smell on them.

When Zhou Xia saw the three-color terracotta terracotta they took out, he almost subconsciously sniffed, trying to smell it, whether there was a odor or other strange smell. If there was a strange smell, there was no need to read it too much, it was definitely a new imitation.

Although Ma Gan and the others had taken out Buddha statues from the Tang Dynasty before, this did not mean that the things they took out were all authentic.

These old foxes are all very treacherous. The combination of true and false is the easiest thing to be fooled. Everything depends on the specific things.

Fortunately, Zhou Xia did not smell this smell, otherwise he would feel disgusting when he thinks about it.

But this does not mean that these three-color terracotta horse riding must be Tang Sancai.

You know, there are also ways to remove the smell.

Moreover, in addition to the most famous Tang Sancai, there are also Liao Sancai, Song Sancai, Yuan Sancai and other varieties, which are numerous and require careful identification.

Xu Yaohui was quite interested in this, so he took the initiative to identify this three-color terracotta horse riding.

Zhou Xia was beating the drums beside him, which seemed very casual, but in fact he was still careful to do the appraisal.

He also recalled some of the skills to identify Tang Sancai in his mind.

First of all, it depends on whether the instrument is correct or not, and whether it was created by later generations. In this case, it can often be seen in low-level Tang Sancai imitations. The high-quality Tang Sancai basically does not make such mistakes. Many high-quality imitations are based on the original Tang Sancai as the prototype, and can even be said to be copied exactly the same.
Chapter completed!