Animation DreamWorks is a brand new name, the abbreviation of the external one is "DreamWorks". This is a necessary step for a company. When other departments such as voice actors are divided from Phoenix, they will also have brand new names.

But although the name has changed, the logo of Phoenix Company is unified and universal, and there are only slight differences between departments. The logo of the movie produced by DreamWorks is a phoenix reborn in the ashes. The directors have no objection to this - they like this logo very much.

Meng Huo, who arrived in Yanjing, soon found four directors and told them about the possible actions of "Celebrity Dream". What made him relieved was that the new company in Yanjing had not encountered any trouble yet.

"They won't target us so early." Bai Yan smiled and comforted Meng Huo. Theirs still had some weight in the eyes of "Star Dream". Naturally, Zhao Meng would not do anything to them directly. If he had such a thought, he would not let the directors leave.

So at least for a short period of time, the directors will not have any trouble. The trouble is He Xi - the action of "Star Dream" is aimed at him, and even Bai Yan and the others followed him to help produce "Wine of Immortality", so the topic is unlikely to lead to them.

The directors thought about many possibilities before changing jobs, so they also expected the actions of "Star Dream" at this moment. The current purpose of this star company is to discredit He Xi. If it succeeds, it can delay the development of Phoenix Company, maintain the stability of other directors, and even persuade Bai Yan and the others to go back.

Of course, Bai Yan and the others are smart people, and they will not doubt He Xi because of the comments on "Wine of Immortality" at this time... They did not care about media reports at all. Instead, they looked at "Wine of Immortality" with a purely technical perspective.

The narrative technique of this animation is very attractive to them. During the conversation, before Meng Huo officially issued an invitation, several directors took the initiative to express their intention to go to Ninghai to help produce "Wine of Immortality".

"It's quite interesting, I want to see the subsequent script." "It should allow us to learn the key points of animation creation faster than in Yanjing." "There are still many doubts about how to produce "The Magician of the Early Century". If we can participate in the creation of "Wine of Immortality", we should give us a direction."

When we talked about this topic, it was a good start, but later, the directors had some disputes. Everyone wanted to participate in the creation of "Wine of Immortality". Who can stay by Meng Huo and assist the animation actually means who can lead the lead by the animation director.

"The Magician of the Early Century" does not require four directors, and in this movie, the directors also need to explore. It is also very important to be able to get greater inspiration from Meng Huo during the exploration process.

Of course, Meng Huo had expected this situation, and his answer to the directors was also very simple.

"Come here in turn." He naturally welcomed the directors to participate in the creation of "Wine of Life", but in fact, he could not need an assistant in this animation - that is to say, it doesn't matter if there is no fixed director, every director can participate in the production. This will maximize the benefits.

Meng Huo was able to take this opportunity to cultivate all these directors. "The Wine of Immortality" is their work that they studied and trained, while "The Magician of the Early Century" is their work that they practiced. The reason why Meng Huo asked all four directors to participate in the production of the movie was not because "The Magician of the Early Century" needed so many people.

What he thought was that when directors make movies together, because the power was equal, they would inevitably quarrel and discuss, and analyze the different information they got in "The Wine of Immortality". In this way, they could influence each other in the creative process and get better learning effects than individual directors.

Of course, another possibility of multiplayer mode is that "The Magician of the Early Century" will become mediocre or even fail, but Meng Huo is quite sure of this. Although he does not intend to invest the same energy as "Wine of Immortality" in the movie, he still needs strict inspection and review.

Simply put, he handed over the specific affairs of film production to several directors, grasping the overall situation and making corrections, and with the assistance of Mr. Tomato and Xi Wenlin, "The Magician of the Early Century" has no reason to fail.

Speaking of the two comic assistants of Tomato and Xi Wenlin, Meng Huo also met them in DreamWorks' company. They seemed to be working very smoothly here and were also welcomed by other artists.

During the production of "The Magician of the Early Century", these two assistants took on very important tasks. Meng Huo also watched the progress of the movie after he came back this time. Although the formal production has not yet begun, the painters' paintings are already quite good.

In order to prove how successful their "tutoring" was, Tomato also specially found several comic weekly magazines, and then compared the painters' paintings with the serialization of "Detective Conan" in the weekly magazine. Not only did they have no imbalance in the characters, but the quality also improved a lot.

But this is also obvious. If a group of people's paintings are not as good as those in the weekly magazine, how can they make animated movies? Animated movies are also movies. The requirements for picture quality are several times, or even dozens of times, and without extremely high quality, how can they be screened on the screen of a cinema?

Meng Huo was quite satisfied with the work of the two assistants, but it had not met the standards yet. The painters still need to further strengthen their painting ability. Now, this level of painting can be used to make TV animations, but it is still a bit worse for the movie.

"We have to work together for a while. In two days, I have someone bring the information about the production of the movie "Five Centimeters in seconds". You can learn from some of its requirements." Meng Huo asked to go further. He thought of "Five Centimeters in seconds". He left a lot of information about the production of this movie that year. Although it was a movie with different content, some information was universal.

Especially in terms of the standard of the picture, the exquisiteness of "Five Centimeters in Second" can give "The Magician of the Early Century" a very good reference. Meng Huo does not require the "Dreamworks" painters to surpass "Five Centimeters in Second" in the picture, which is too difficult - but at least, they should achieve the "almost" level.

"The Magician of the Early Century" is not as reliant on the picture like "Five Centimeters in Seconds" and does not require the picture to be the ultimate. However, Meng Huo, who has produced higher-quality movies, cannot put the standard too low at this time.

If that is the case, the movie audience will feel insincere. (To be continued...)r1292
Chapter completed!