After the Chinese woman returned to France with the Earl, she would theoretically become the hostess of the castle.

However, the Earl regarded her as a collection from China.

In order to make this collection more valuable, the Earl sent her to the Romance Capital to learn painting.

How could a Chinese woman who was born into a famous prostitute in the Demon City study peacefully? She soon got to know a group of crazy painters and lived absurd days of being obsessed with paper and gold every day.

But the Count did not obstruct her behavior.

But not long after, the count died in a train accident and left a large amount of debt to the Chinese women.

The creditor soon came to collect the debt. She had no choice but to sell the castle and jewelry to repay it, and she almost left the streets.

Finally, in order to make ends meet, Chinese women became nanny in an African family.

Coincidentally, while she was working as a nanny, she actually discovered that the Count was the male owner of this African family.

In that train accident, he just pretended to be dead and defrauded the insurance money.

This greatly stimulated Chinese women and was determined to take revenge.

But Mr. Wang, a businessman who once committed suicide for her but failed, came to the romantic capital and found a Chinese woman.

Mr. Wang hopes that she can return to China with him.

The Chinese woman was moved by Mr. Wang and gave up her revenge plan.

"God has eyes. A while ago I returned to China, the count actually got cancer, hahaha!"

"I didn't expect that in my lifetime, I could still see this hypocrite lying at the feet of the god of death. This is really my best gift to return home."

The notes of this line are "heartfelt pleasure from the heart", which makes Zhao Cheng, a good line expert, unable to help but try to read it.

It also means that he was fascinated by reading the script, and before he knew it, he passed the meal time.

After Chinese women returned to China, their lives gradually became dull, but they also had their own happiness.

The telling of the [Past] has come to an end, and there are trivial things behind it.

The male protagonist sighed at the old man who was talking more and more quietly.

No matter what she did before, whether it was right or wrong, it has become a thing of the past. The male protagonist is very grateful to her, who is still bringing stories to her at such a young age.

Just as she was about to help the old lady go to bed, she fell into the male protagonist's arms and passed away.

The life of Chinese women is also rich and exciting, but for the long river of history, everyone is just a passerby of time.

The old lady's death gave the male protagonist an epiphany, understanding how important it is to live in the present and cherish the people around him.

So he decided to return to Qiguo and find the girl who had warmed his life.

But fate once again caught people. After a year, the male protagonist searched all the places the girl could go, but couldn't find her.

His condition began to worsen during this period, and he fainted frequently, forcing him to return to his country for treatment.

At this time, the scene of the script jumped from the [Past] of the third part to the [Reality] of the first part again.

He finally came to a Grade A hospital and lived in the same ward with four other patients.

As a result, the four people died as soon as they arrived, leaving him alone in the ward with an intern, who guided him to tell his life.

After the story was finished, the male protagonist fell into the arms of the intern doctor and passed away.

"This script is OK!" Zhao Cheng sighed.

The whole play is like a huge journey, starting from the end of the protagonist's life, from the end of the twentieth century to the beginning of the twentieth century, from Asia to Europe, from pain to liberation.

If expressed in the form of a movie, it is a flashback technique similar to the movie "Benjamin Button".

Zhao Cheng plays the role of the unlucky and lucky male lead of Patient No. 5 in the play.

After reading this for so long, he has almost understood this role.

Strictly speaking, although the existence of patient No. 5 runs through the entire play, he is actually not the real male protagonist, but rather he is more like a passerby who experiences life.

It is not easy to play this role well, especially his dying state in reality.

Zhao Cheng suddenly remembered the first movie "Forgetting Hometown" he made, and he also played a dead person.

"Why do I always have to die in the role I play?"

Dinglinglinglinglinglinglinglinglinglinglinglingling.

A phone call interrupted Zhao Cheng's muttering.

"Oh oh oh... I just watched the script and didn't pay attention to the time. I'll arrive soon." After Zhao Cheng said that, he immediately put his phone in his pocket.

The phone call was called by Captain Bai, and he urged Zhao Cheng to go to the meeting place as soon as possible.

Because there are 15 minutes left, it will be time to make an appointment with the Magic City Theater Troupe.

Fortunately, the distance was not very far, so Zhao Cheng arrived at the place in 5 minutes.

"You kid, I knew you would forget the time when you read the script." Captain Bai shook his head with kind eyes, and then handed Zhao Cheng a lunch box.

After spending a while together, the careful Lao Bai soon discovered that when Zhao Cheng was fascinated by work, he would omit his food and clothing problem.

This is not possible, the body is the capital of everything.

Especially for an actor, his work and day are already a bit confusing, so he should pay more attention to his diet.

Therefore, every time when he handed the new script to Zhao Cheng, the members would call him some while they were having dinner.

"Thank you, Commander!" Zhao Cheng embarrassedly took the supper that Commander Bai packed for him.

From a work perspective, they are actually just ordinary colleagues.

But the way everyone gets along is like their relatives, always understanding each other and caring for each other.

Moreover, there is no such intrigue relationship in the troupe, especially when it comes to work, they basically rush to do it.

If you work in another place, even in an ordinary class, you will be a great thing if you don’t care about others.

After Zhao Cheng quickly slaps a few times, the people from the Magic City Theater Troupe came.

A well-dressed and well-dressed young man walked in front, and was probably around thirty-five years old.

Behind him were two young and women, and the team behind him were members of the elderly, weak, women and children.

Once you look at this formation, you will know that they are practicing their movements for the sake of pomp, which is very particular.

They soon walked to Zhao Cheng and the others, but they still looked expressionless and looked at the members of Liufang Folk Theater Troupe unscrupulously.

Zhao Cheng's brow frowned slightly.

Although these people are dressed brightly, they are extremely disrespectful to others in their hearts and exudes a sense of superiority all over their bodies.

Especially this young man who took the lead, as a junior, should take the initiative to say hello to Mr. Bai.

However, Captain Bai is a practical person, and he only wants to rehearse quickly, so he doesn't care much about seniority.

"Hey, leader Ye Lun, I am the leader of Liufang Folk Theater Troupe, Bai Congling." Captain Bai smiled.

"Yeah, hello." Ye Lun responded indifferently and then went straight to the point.

"I won't say much politely. In terms of roles, we have assigned the corresponding candidates."

"The male protagonist, Chinese women and earls belong to our Demon City Theater, and the rest will be arranged by you Liufang. If there is no problem, you can start rehearsing now."

Ye Lun's tone was not a negotiation at all, it was simply an emphasis from the leader's arrangement for subordinates.

Even the good-tempered Captain Bai couldn't help it.
Chapter completed!