Finally, it's the again.

Every time I get this, I feel exhausted, and I have a lot of things I want to say but I don’t have the energy to say. The past s are not long, just a thousand words.

This book is particularly tiring because it is written the longest...

It’s like running a marathon. The first half of the journey is always simpler. The more you get, the more tired you get, every meter you get, and this book has millions of words... I really admire those tough guys who can write hundreds of millions of dollars, who are so amazing.

I really can't do it, I just want to rest.

By the way, this book is indeed the best one I have... Some people say it is not as good as Spring and Autumn, while others say it has improved more than Spring and Autumn. Anyway, each has its own taste, so there is no need to argue about this, but I am not very satisfied with it.

It’s not whether there is any problem with the writing, but mainly, it’s not the story I originally wanted to write.

In fact, this book cannot be regarded as a real upgrade stream, it is actually a travelogue.

As soon as these two words were expressed, I wonder if many people would suddenly realize that it was.

Many people said before that they could not see the main line, but it was indeed not obvious, because the main line was to explore the world. Shenzhou, Netherworld, Great Wilderness, East China Sea, Northeast China, and Heaven. Every time I go to a place, I will describe the local style, build a three-dimensional world, and then finally form Qin Yi's harvest, and thousands of lines are mixed into the final creation. This is the real main line.

Collecting materials for the body shaping of the Bangbang is just an open story line.

It’s not about upgrading or fighting monsters, so there are not many battles and they don’t make much use of it because what you want to write is not there.

Although it is a travelogue, it is necessary to have a story to become a novel. What is the original story... In fact, Qin Yi is just a clue to witness the stories of everyone in every place.

The original plan included many independent supporting role stories similar to Li Qinglin, such as Ding Mouse, Jing Ze, Gusong Layman and Ye Bieqing, Yu Zhenren's infatuation, good and evil and ambitions of the He Momo, and Tianjizi's plan... they all wanted to expand and write independent stories.

For example, if you add more ink to the end, write some stories about him and his wife, and finally have some memories to set off, that kind of artistic conception and emotion will definitely be stronger than now.

But everyone doesn't like to watch it, and it is likely that the person who scolds me for supporting roles during the preparation process will be overwhelming.

The experimental field in the first volume told me that I cannot write this way.

As we all know, the style of the first volume is very different from that of the later ones. The reason is also mentioned, because the first volume was not only scolded but also had poor grades. Even now, every time the starting point gave a recommendation, the recommendation effect was at the bottom of the same period, because it was severely persuaded to withdraw in the early stage.

There are a lot of old readers who trust me very much that I can’t stand. Not to mention new readers, the retention rate of entering the pit is very low.

Because it is slow to warm up and not a cool article, it is completely deviant in reading expectations.

At that time, many people felt that the protagonist's glory was overwhelmed by Li Qinglin. The expected reading goal was to see when the protagonist slapped Li Qinglin in the face...

This kind of reading expectation left me speechless and I didn’t match the channel at all. The impression I got was imaginable...

In addition, there are many other things, Qingjun's recklessness in the early stage, Minghe's awesomeness in the early stage, Chengcheng's "green tea" feeling, "bloody" and "willingness" and so on, and they can't wait for the character's transformation or reversal, so they are judged as "super poisonous".

Until a fire-making incident, everyone found that the overall meaning of this volume was actually just a story, not a slap in the face, nor a bloody abuse, but just a story that was just a story. Everything in the previous article was just paving the way, so I felt a little bit interesting after savoring it... At this time, the reputation of the whole volume was brought back, but it was too late. Those who left could not come back, and they could not see this place.

This is a long-term writing style that is incompatible with the current online reading expectations. At least my "god character" is not enough to support people's patience. I'm afraid it will take a step to the level of squid beacon. I'm really much worse.

So I can only start to adjust the writing method.

The outline story has not changed as a whole, but the way of writing has changed, which is actually a matter of focus on the pen and ink. Just like the first volume focused on Li Qinglin, all of which were reduced, focusing on Qin Yi himself and his women. The place that should have been "pressed" is no longer suppressed, and there will be no twists and turns, after all, I have worked hard to write things to make a scolding.

Meeting Jingze in the small town of the erotic temple was the last transition point of style. Until the first meeting with the senior sister, it continued part of the artistic conception.

The plot afterwards did not change, but the focus changed. The tone also changed from a little heavy thinking to a mostly humorous interest.

Some people say that they are tired of watching, the supporting roles are boring, there are too many emotional scenes, too much play, and they like the early stages more, etc. But the facts prove that this is what most people want to watch, because their grades have indeed improved after changing their pen and ink, and they have doubled upwards.

In fact... as long as you don't write the plot part of the male and female protagonists' emotional scene, please note that any plot part will definitely appear as impatient as the first volume, and some even start criticizing the explanation in the next chapter. A little setback does not even require setbacks. As long as the villain benefits, a group of frustrated parties will appear.

What's more, when decrypting the main line, a large number of readers complain about it, and I am quite convinced.

But once you write a male and female drama, you basically have nothing to do, and everyone is happy.

What everyone likes is self-evident.

Since you don’t want to watch supporting role stories, then you won’t write supporting role stories. It’s very simple.

Maybe someone said that the small part of the people who can speak are ultimately small, and they cannot be influenced by them... But I can ignore the comments, but I cannot ignore the data.

The subscription data of the male and female protagonists is much larger than any other plot subscription data. It is better to scold you if you miss the order. You can scold you in the chapter that day, at least you don’t miss the order.

Some people say that the music is too heavy, but the excitement of each chapter comes from this.

This is everyone's choice.

Perhaps it is also the inevitable evolution after Zhang Shuo's appearance. Now on the starting point list, the sand sculpture style and playing with tantrums have begun to occupy an increasingly large proportion, which is why.

In the end, it became the current "Ask the World".

I said I cater to readers, but I really cater to readers because I want to have a meal...

Those who left disappointed, can only say sorry, although those who left can't see the afterword...

Of course, the existing writing style is not bad. The fact is that the audience is wider and more people like it. Many people make my aunt laugh and laugh, and I am also happy. It’s great. I changed my style and it was originally for this, just have a relaxed and enjoyable time.

The plot is also outlined and the original plot direction is still very high. One round after another, one foreshadowing after another is filled with pitfalls. I am personally satisfied. I have a sense of accomplishment for a daily online article that can do this.

But it's not the original intention after all, and it's a bit regretful.

In the end, a volume was left behind, proving that Ji Cha didn’t only know how to write emotional dramas and girls, but was considered to be “coming”.

These words are just to summarize the writing process of this book. It has no substantial meaning, and it is not to blame anyone. Nowadays, I ask the world as good as the world.

Anyway, online articles are based on public preferences. After all, I don’t need to consider eating anymore, and then slowly write the story I want.

———

The second thing I want to say is a call for the current harem literature. I hope everyone will be more tolerant of the already difficult harem literature.

I don’t want to say anything about extreme negative defense and brain-supporting the party. I’ve been tired after talking for so long. I hope these brothers know that the damage to the author by their stabbing is really more harmful than the harm caused by the defenders to report the party. Because the author knows what those people will scold, but he doesn’t know which sentence he wrote will be criticized.

I can't spend three or five times my brain power. Every time I write a sentence, I have to consider whether this mount will be sprayed, whether the two balls will cause discomfort, and whether it is a myth that imprisons the bull and lingers the piano to restore it?

As for it?

I really don’t have the brainpower to deal with these things that normal people don’t need to consider at all. This makes people unable to write at all. I’m simply at a loss and I’m just writing.

I don't want to say more about this, it's normal.

I said in an interview before that the harem party has low requirements for works, as long as the girl writes well, many others can be forgiven.

Now I don't feel it anymore.

As mentioned earlier, any plot, reasonable party logic, the party is frustrated one after another, and it is not as low as a single woman's work.

The requirements for the plot are not low, but the requirements for the characters are hundreds of times that of theirs.

I rarely see character portrayal requirements in articles without heroines, but in the harem text... I don't mention the female protagonist's portrayal, and I often require supporting roles to be portrayed. You don't read supporting roles, and you also require... Anyway, everything goes to high standards, and I don't care that this is just a daily update online article, not a famous work.

Some requirements are really standards that even classic works cannot meet.

For example, the heroine cannot have a vase, and one of them will be criticized. I thought that Jin Yong has a vase, Zeng Rou, and no one asked all the characters to be rich. When I came to the harem, the online article not only required female characters to be outstanding, but even the electric mouse is just a tool, and people are dissatisfied with it. They said that they can only write about women and portray characters, but they are not enough... I really can't figure out how this requirement came about.

Could it be that the heroine is not a character? Others have no heroine and portray a few supporting actors, which is awesome in the group. We portray more than a dozen female characters, but without writing to the supporting actors, it means that we have not portrayed the characters?

There is also a requirement that the heroine should not be lost in the late stage and cannot be hidden in the divine situation. I thought that even Shi Jin and Wu Song, who were in the early stage of Water Margin, did not show much in the late stage. Why did she get a mere harem online book that actually required that the early stage characters be as exciting as the late stage?

There are so many characters. Whether it is a man or a woman, you will naturally not be successful after the wonderful paragraphs are over. Isn’t this common sense? Can Shen Yin give some scenes from time to time and do his best?

We are really just writing online articles that update thousands of words a day. We are not writing things that surpass classics, and we cannot be at that level.

Can you not mention some requirements that exceed human limits?

Now that the harem literature is so difficult to pass, it is not only not tolerant, but it is becoming more and more harsh. I really find it very strange.

It's a call, be more tolerant and peaceful...

Well... it doesn't make any sense. No one listened to my appeal. Some people said that I was in the harem, but I was so busy that I quickly unloaded the flag. I really couldn't bear it. When I was reported, I was as dazzling as a target. When I was asked, I held a magnifying glass, but my grades were several times lower than others' silent meals.

Some friends in the quagmire said that the newspaper seller should carry the flag now, so I should take it over quickly. Thank you, good man, my writing skills are really not good, so let the newspaper seller bear this heavy honor.

I didn’t expect that this has more words than the positive article section... It’s really been held in for too long... I’m so sorry, it’s too heavy negative energy, which is not very good.

I am really grateful to most of my brothers for their support, otherwise I would have died long ago.

Now I'll take a break...

When I was a part-time job, I had to rest for half a year. Now I have to eat full-time, so I can’t be so willful... This time I will take a break for about two or three months (including the new book structure time). The following book is at the earliest in September and at the latest in mid-October. The possibility of October is greater.
Chapter completed!