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The theater goes dark and the screen lights up.

The little train embossed logo appeared again.

This title was produced by Media Asia Advertising, one of the two famous advertising companies in Hong Kong. One is part-time rental equipment and video tapes. Media Asia has entered the production market in the past two years. In the next two years, like Antai at this time, it will test the waters of agency distribution. field.

This advertising company is famous for its capital, equipment, and technology. Independent companies in Hong Kong basically outsource their titles to them.

The other company is called Huang Yulin Advertising Company. It started with 50,000 yuan in 1976, and its turnover in 1985 exceeded 120 million. At the end of 1985, the world's largest advertising company Shengshi International cooperated with them, and Huang Yulin also became "Shengshi" Branches on Hong Kong Island.

The managing director's name is Lin Yanni. Yes, she is Lin Yanni, who has a bachelor's degree in genetics, a master's degree in Chinese literature, a TV director, an essayist, and a novelist... She has a mistress named Huang Zhan.

At this moment, the concubine brother was wearing big brown glasses and a stupid haircut, holding a cigarette in his mouth, sitting with his legs crossed in the fourth row of the theater. On the left hand side was a sexy figure with big breasts and a curvy butt.

Sitting on the right hand side is an elbow (commonly known as an elbow, with thick skin, many tendons, and a lot of fat in the muscles).

"Watch a movie, watch a movie! Let's talk about it after watching——"

The concubine brother listened to Tie Piao constantly looking for something to talk about. He spread his hands and curled his lips, "I finally spent my own money to buy a ticket to watch the movie, Sanmao, didn't you?"

Hung Kam-bao smiled awkwardly on his seemingly honest face and suppressed his thoughts. Huang Zhansheng was a little weaker, but his importance in Hong Kong's literary and art circles was higher than him. In the eyes of many people, the literary and art circles are much higher than the entertainment industry.

…

The video starts.

A voice-over came, but the screen was still dark.

The young man shouted happily.

Young people's call for friends.

run!

cheer!

Shout!

The voice is childish, yet clear and loud, full of the passion of a young man.

Every sound makes you want to shout with all your strength. But it is distinct and distinct. It makes people feel like they can feel the various teenagers in the movie through their voices.

Some are rude, some are slow, some are loud, some are drizzle,

Before the scene unfolds, the audience is brought into the movie scene first.

Many people have heard the term "preconceptions", and in the art of film, this is particularly important.

As the sound unfolded, a picture emerged in the minds of many viewers.

A group of passionate young boys swung their arms and ran and competed on the court with sweat. They tried their best for every goal. Beside them, there were cheers, sighs, and curses...

Before the movie even starts, people have a preconceived idea. The breath of passionate youth is contagious from the sound.

"Separation of audio and video?"

Tsui Hark was wearing a peaked cap, and his little eyes showed a hint of interest.

Since the first feature film with sound appeared in 1927, sound has become a task that film workers must relearn.

How to use sound also considers the basic skills of each director.

This is the emergence of sound montage. Before that, montage involved space and time, and now sound is added. The scheduling of the three forms the film story.

Cheng Xiaodong, Huang Yuetai, Lu Yanhua, Yu Cheng, Chen Baisheng, Xian Qiran and other film-related practitioners are all very interested in the "new stuff" displayed by Wu Xiaozu.

"Sound montage!"

Looking at the shady scenes, many filmmakers who came with a "bad" mentality became slightly disoriented.

The several pioneers, writers and movies surrounding Cen Jianxun frowned slightly.

It seems that Wu Xiaozu was hailed as the "standard bearer of the new generation of the new wave" for no reason.

This is a bit interesting.

Although they didn't want to admit it, they had to pinch their noses and admit it. Wu Xiaozu did have his own uniqueness in film structure and film techniques.

The structure of "The Birth of a Prefix" definitely belongs to the category of "Shocking the Shore". If it weren't for the strong commercial atmosphere in the film, I'm afraid... this movie would be enough to push it to the throne in some fields.

Fortunately this is Hong Kong Island!

This group of public intellectuals who "see money as dirt" are a little glad that this is Hong Kong Island, not the mainland, not France.

I heard that the previous movie was well received in France.

The sound montage at the beginning of "Young and Dangerous" is actually not difficult, but Wu Xiaozu made it distinct and created a youthful "sea breeze" atmosphere. This is really a skill.

Of course, compared to these public knowledge, the ordinary audience was not too surprised, but on the contrary, they were a little surprised and anxious.

Therefore, Wu Xiaozu played a little trick here.

The voice playing the role of a young boy, Chao Pi, is having a love story with his girlfriend.

…

Hou Xiaoran sat in a corner of the corner, staring at the screen, feeling a little pleased and a little regretful at the same time.

After all, this is not a montage of sounds that penetrates deep into the bones. For him, this kind of superficial taste is not a pity.

In fact, Wu Xiaozu could have made this movie more meaningful. But he chose to be popular.

Of course, he gradually came to agree with Wu Xiaozu's theory of "both vulgar and elegant". But this did not make him 100% in line with Wu Xiaozu.

However, this movie is a commercial film after all, and he also understands Wu Xiaozu's thoughts. The fact that this movie can leave this scene behind means that his efforts were not in vain.

He gained a lot during his time on the set of "Young and Dangerous". Wu Xiaozu's analysis of space, light and shadow, and narrative dimensions benefited him a lot.

After all, Hou Xiaoran is still a very ambitious filmmaker. In the words of the famous iron king in the basketball world: Er Yanghua Three Irons - Volute, "I am not anyone's successor, I am who I am, a different blacksmith!"

Hou Xiaoran felt that after gaining space, light and shadow, and using a long lens, he would be able to create a jaw-dropping movie.

At this moment, he was thinking that in his next new film, he could use his usual long-shot narrative to express this kind of achievement.

The first collaboration between Wu Xiaozu, the "Hong Kong Island Kurosawa", and him, the "Wanwan Ozu Yasujiro", were both fruitful.

Thinking of this, he became even more concerned about investing in Hong Kong Island.

The so-called money is a man's balls. Having balls is better than not having balls!

If you don’t have any eggs, you can only support the wall. If the wall falls down, you’ll be busy smashing the egg whites!

He doesn't want to work in vain, he just wants to attract investment. The box office of the movie "Young and Dangerous" is like a highlight on his resume. If it sells well at the box office, he will have money to make movies.

With money, Hou Xiaoran will have more hope for life.

…

"Show off your skills!"

A man who looked like a fat tutu pushed up his glasses and said a word of contempt.

"You are the last wave of the new wave!" Yu Yun looked at Yan Hao teasingly, "I forgot that you are the first wave of the new wave."

Yan Hao ignored Yu Yun. The group of people within the New Wave were not monolithic.

Yan Hao, Fang Yuping, and Tan Jiming looked down upon Yu Yun for being a deviant who loved making horror movies.

Yu Yunqiang, Zhang Guoming, Yu Rentai and others looked down on Tsui Hark, a "traveler" who abandoned "author's films" and bowed down to commercial films, and was raped by capital.

Then Yan Hao and Yu Yunzhang, mixed with some prostitutes, all looked down on Wu Xiaozu, a prostitute who followed the prostitute and beat the former prostitute, and the actual box office was very good.

Hong Kong's literary, artistic and film industry was already in a state of turmoil even before Wu Xiaozu, an outlier, appeared.

The New Wave "author films" and the "Left Bank" writer-filmmakers dislike each other. Then both parties look down on commercial directors. Commercial directors are divided into factions such as Shaw Brothers, Golden Harvest, Wuzhi, and Coban...

In short, the Hong Kong film industry is a typical example of "a lot of tortoises in the shallow water, but Jia Baofan everywhere"!

Yan Hao has always been hailed as the first wave of the new wave. You have to wonder how much good impression he can have on Wu Xiaozu, the last wave of the new wave?

What about Yu Yun? Before Wu Xiaozu's "The Butcher on a Rainy Night", most people would think of him when they mentioned horror movies... Then, there is no harm if there is no comparison!

In order to support the last wave of the new wave, people like Lu Yanhua trampled on Yu Yun over and over again.

It directly created a problem: who can compete with the Butcher for the limelight?

Wu Xiaozu didn't want to offend people, but he couldn't resist being too good! I'm afraid he wouldn't have thought that when his popular movie "Young and Dangerous" was released, a group of bastards would come to criticize him.

If he had known this earlier, Wu Xiaozu would not have minded imitating Uncle Benshan, fishing out these bastards and bleeding them one by one.

Director Wu is very good at making trouble.

Back to the movie.

"Brother Nan——" With a shout, the screen gradually lit up, but there was still no picture.

Suddenly, a bright light suddenly appeared at the bottom of the screen, and then scrolled up. A squinting face suddenly "entered" the screen.

That’s right! It’s drilling!

As the scene unfolded, the audience was stunned. However, the film critic's eyes lit up and he was extremely excited.

In order to smoothly connect the "separation of sound and picture", Wu Xiaozu used a subjective lens to interpret.
To be continued...