The whole process of the screen lighting up is actually the shot of the young pheasant slowly lifting up the skirt of a female student and getting his head in. As he lifts up the skirt, the screen slowly lights up from below, and finally focuses on his obscene face. .

"Hehe..." Suddenly, all the male audience members let out a lewd laugh.

In the movie, the lustful, round-inch pheasant lay on the ground, stretched its neck into her skirt, and then——

Putting his hands together in a posture of worshiping the Buddha, he suddenly gave a girl a "rocket through the fart!"

This trick is definitely a childhood shadow for many people. The taste of ecstasy is still unforgettable for many viewers who have relived it in the movie.

"ah!!"

A loud scream resounded through the theater, and for a moment, the entire scene changed from a subjective shot to a visual shot. A medium shot appeared on the screen, and the female student was seen jumping up high with her buttocks in hand...

While the girl was chasing him, she suddenly bumped into a man and quickly apologized.

"I'm sorry? If saying sorry is useful, why should I do it?"

Liang Gaohui had an unruly look on his face, and sneered hoarsely. Unable to react, he directly grabbed the girl's hair, pulled hard, and cursed, "Smelly Sanba, my urine turned yellow when I got up in the morning. You like kicking so much, I'll teach you how to kick." The wave is ready."

While pulling the girl's hair, enjoying the other's howl of pain, biting the straw and drinking coke, staring at the other's breasts unscrupulously.

As soon as he appeared on the stage, Liang Kun, played by Liang Gaohui, took control of the audience.

The character Liangkun is different from Lin Guoyun's calm and extremely perverted character. This character is neurotic.

In order to play this role well, Liang Gaohui has to make expressions and raise his eyes in front of the mirror every day. He exercises his facial muscles and eyes.

Controlling facial expressions is very important for an actor. Over the years, the only person with facial paralysis who has not been ridiculed for his poor acting skills is Takeshi Kitano. But Takeshi Kitano’s eyes are very interesting.

Wang Sunjing once said, "Liang Chaowei can act with his eyes."

The most revealing and popular look on his face, and the one that best reflects the power of Liang Chaowei's eyes, is the look in his eyes when he witnessed Anthony Wong falling from the building in "Infernal Affairs".

There are no lines, no movements, and no expressions, but his eyes can tell a lot to the audience, and the panic, sadness, and helplessness in his heart are all clearly revealed. Of course, the exercise of the eyes is actually inseparable from the cooperation of the facial muscles.

At this moment, Liang Gaohui fully expressed Liangkun's unscrupulousness and unruliness through the control of his muscles.

The wings of his nose were slightly pinched, his brows were lowered and raised, and his eyes were contemptuous, angry and crazy. With this appearance and one look, the audience understood the role of Liangkun.

The audience knows that Liang Gaohui's performance is good, but they don't know what is good about it.

Comparatively speaking, film critics like Lu Yanhua and Paul Fang are still somewhat useful. Through their mouth, hands, body, eyes and steps, they can all analyze the excellence of Leung Gai Fai.

Needless to mention the lines, Liang Gaohui specially learned the Shanwei accent for Liang Kun, because in "Young and Dangerous", Liang Kun was born in Shanwei.

The eyes are the eyes, and the body is the posture. Liang Kunsong's loose stance is very consistent with the identity of the young and Dangerous boy. The hands are movements, there is a word called "dancing". The proportion of the upper body movements extended by the hands in the performance

Very high.

Because most shots of actors are mostly medium shots or close shots. Needless to say, steps, the steps an actor takes when he comes on stage and leaves can be said to test the actor's basic skills the most.

Movies are okay, and this can be covered up through editing. If it is a drama stage, the steps of exiting can be said to be more important than "the sky"!

Gai-fai Leung put in a lot of effort to play Liang Kun and gained a lot. He portrayed Liang Kun's unruly, nonsensical and neurotic character very well.

As the "Novice Copy" story ends, the three characters "Young and Dangerous" appear on the screen.

The works directed by Wu Xiaozu paused on the screen for a moment and were scattered in the screen.

"vanity!"

Writers, filmmakers and New Wave filmmakers despise Wu Hsiao-jo. It’s not like they have never done these four words in directorial works, but have you ever seen a font that takes up the entire screen?

"Wow! Lin Qingxia's rumored boyfriend!"

"Wu Xiaozu, thirty years in Hedong, thirty years in Hexi!"

Listening to the voices of the audience in the theater, they couldn't help but admit that since Wu Xiaozu tied up Lin Qingxia for promotion, his name's popularity has really increased a lot.

Jealousy has no distinction between high and low.

If this group of self-proclaimed elite literary and artistic people were really open-minded, they wouldn't be able to make those sensitive and emotional movies.

Sitting in the back seat, Li Hanxiang hung a gold chain and listened to a group of colleagues scolding Wu Xiaozu. He felt very beautiful.

After so many years, finally another filmmaker can be reviled by his peers! This feeling...
Chapter completed!