Chapter 169 Romantic Stylization
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The bright and bustling city flashes by in the lens, accompanied by the explosive disco music, the picture flashes and appears.
Then, the bright music of "Penguins' game" rang out. Few people in later generations have heard of this song, but everyone must have heard it. This is the background music of the commonly known "Rabbit Dance" (Penguin Dance).
In the 1990s, it was popular in nightclubs and disco bars on both sides of the Taiwan Strait. It was as popular as "Little Apple" in the previous life.
This song is like Takakura Ken's version of "The Hunt". It has become popular among the Chinese for no reason. In fact, few people in its country of origin remember it.
The cool and eye-catching pheasant mingled on the dance floor with so many beauties, putting her hands on the two twisting buttocks and caressing them back and forth, and acted as a human DJ.
The camera rotated, and the two men from Causeway Bay walked into the scene with a smile.
The camera continues to adjust as the light ball flashes in the screen.
Da Tianer, who has a lean figure and bulging muscles, is standing aside with a cigarette in his mouth.
The pheasant, the foreskin, the nest skin, and the big sky all moved together, the camera turned to the subjective shot, and a generous figure appeared on the screen.
With half-long black hair, his fingers were slightly pressed together, his thumbs turned his cochlea, and when he turned his head, Chen Haonan, a cold-blooded boss with handsome features and red phoenix eyes, suddenly appeared in front of everyone.
The entire shot is shot in one go, and the pseudo-one-shot shooting gives the audience a hearty viewing experience.
With a simple appearance, "Young and Dangerous" uses lighting and positioning to convey the characteristics of the characters.
Every director has his own characteristics and personal style.
Wang Jiawei's creation of mood and atmosphere, Lao Mouzi's control of structure and color, Du Qifeng's love of black emotions and dimensions, each has its own characteristics.
Wu Xiaozu's personal style is also obvious. Light and shadow, space, and character opposition are all his style.
For a movie like "Young and Dangerous" that is intended to be a series, Wu Xiaozu chose to avoid his own style, but he still could not allow himself to "retract and release freely", so it was inevitable that he would show off his own style.
The reason why he did not serve as the director of this film and delegated the rights to Liu Weiyi and Feicheng was also based on this.
Serialized movies, especially this kind of commercial serialized movies, have too strong personal style, which is not a good thing for the entire movie series. Just look at the DC comics of later generations and you will understand. In a word, Nolan succeeds and fails.
Nolan, he shouldn't be wronged.
Of course, it cannot be denied.
Such a shot of Wu Xiaozu, through the positioning, the creation of light and shadow, will give the audience a "smooth" visual experience, which is very impressive.
When filming this scene, Wu Xiaozu drew on the beginning of Du Qifeng's "Gunfire". Through the art of the lens, he faked a shot to the end to bring the audience into it.
The video continued, and the scene of them walking out of the nightclub and walking in a line across the zebra crossing immediately made many viewers smile.
In the Beatles album "Abbey Road", the photo of the four of them walking on the Abbey Road zebra crossing is a classic photo in the hearts of countless people.
Hot blood does not mean that there is no foundation. Hot blood also has feelings.
For Hong Kong Island, which is deeply influenced by the British, music is greatly influenced by the British.
The Beatles are undoubtedly the childhood memories of many young people in Hong Kong today.
No rock and roll without passion!
Since Wu Xiaozu is making a passionate youth movie, the influence style is very romantic. From the story creation to the image style, the whole movie is very romantic and stylized. So rock and roll is naturally a perfect match for it.
What is romantic style?
In fact, mood, contrast, drama, poetic shots, and extraordinary characters all belong to the romantic style. The opposite is the realist style.
To use a poetic explanation, one is Li Bai and the other is Du Fu.
In comparison, it is obvious that Li Bai's romantic style poems are more popular among young people. Du Fu's poems require more experience and understanding of reality, because his poems are often cruel.
According to Wu Xiaozu, in addition to the drama of the story and the extraordinary characters, the most important thing about romantic style is that the film must have feelings and emotions.
A passionate "Young and Dangerous" with emotions and style is more in line with the preferences of young people.
Men's romantic feelings and passion create the Jianghu spirit and brotherhood in the Chinese people's bones.
"Young and Dangerous" depicts the "pleasant grudges" in the eyes of young people. It may be superficial or brainless, but this is the taste of youthful passion.
Therefore, when the handsome and cold-hearted Chen Haonan and his brothers ended the battle in the "bath", all the young viewers in the audience were immersed in it. Especially some students and young people, they wished they could take their place.
The longing for the martial arts in the Chinese people's bones has created our unique martial arts culture. This martial arts culture is intertwined with the money-laden society of Hong Kong Island, creating the "Young and Dangerous" complex.
Think about how many people in the Mainland were influenced by "Young and Dangerous" in the 1990s, and you will know how attractive this complex is to boys and girls.
Romantic style is not the same as castration. Xiaoxianrou's Yin Qi will never show romantic style.
On the contrary, the romantic style is actually a man's release of violence, humor, and passion. What Wu Xiaozu has to do is not to consider light, shadow, space, and structure. What he has to do is to let "Young and Dangerous" condense the minds of young people.
Then complete the sublimation of Jianghu spirit and brotherhood for them.
In later generations, there is a kind of article called Xiaobai's Shuangwen. "Young and Dangerous" is the Shuangwen in the movie. It is so good that your scalp is numb, your toes are stretched straight, and you are so happy that you can't feel good.
Therefore, when Chen Haonan, Pheasant and the others led their brothers to kill, the students present clenched their fists, blushed and became excited.
…
The moment Ms. Zhou Hui-min appeared, the entire audience held their breath and concentrated.
Men should know how it feels to wear a sexy outfit with a good-natured face, right?
Chow Hui-min is tied up with a tortoise shell on the sexy red MR2, and a hemp rope is hooked between the two big white legs. When the wind blows, the white legs flash under the light like a waterfall of stars falling from the sky. How many people can't wait to caress them in detail.
Become a flower protector.
"I met her in my heart by chance on the street this night.
Two Feet decided not to listen to the call and go home with her,
The cold late night wind is not allowed to blow her away,
Her dark eyes were about to speak to me,
The slender figure fluttering around silently..."
The song "Flower Protector" rippled in the spring breeze, and Zhou Huimin groaned in the wind. Chen Haonan, Pheasant and others shouted excitedly. With the music, the whole place was filled with the taste of youthful hormones.
This song sung by Wu Xiaozu and Liang Gaohui is full of youthful passion. Qiu Litao's guitar show makes every note dance on the apex of young people's hearts, stimulating the most despicable late-night romance in each other's hearts.
When Zhou Huimin was filming this scene, she was tied to the hood of the car, her black hair was scattered, her pretty face was frightened, and she seemed to be getting happier the more she struggled, and the hemp rope outlined her figure in a very violent aesthetic.
With just one shot, Wu Xiaozu transformed the young lady into a charming girl that makes people's blood flow. She is faintly visible, pure and coquettish. It is definitely in line with young people's dreams.
Looking at this youthful fantasy, all the men in the audience felt like the river was flowing up and down.
It must be a sunny day, and the red dress is especially charming.
…
Looking at the big screen in front of her, Zhou Huimin squeezed her legs together tightly. She still felt numb in her thighs.
The rope was on top at that time. For the sake of the filming effect and to show off her strength in front of her idol, she pushed through. In fact, she still has bruises on the roots of her legs.
When Zhou Hui-min saw the scene where she was forced to eat barbecued pork buns, she also laughed.
Under the starry sky, with the glorious city behind, a young and charming girl is sitting in the mountains stuffing barbecued pork buns.
Chapter completed!