: : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : :

: : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : :

An excellent movie, every detail affects the imaging of the movie.

Around the millennium in later generations, many people thought that the sticks began to rise, but in fact, the movies of sticks at that time still had common problems that did not pay attention to details.

Therefore, many movie masters think that Bangzi Movie has not done it: in silence!

Of course, this cannot erase the essence of Bangziguo, and its excellent films are indeed very exciting. The ability to tell stories is at least a few streets away from many domestic filmmakers.

In fact, aren’t the things they play the same things that we played in the 1980s and 1990s? It’s just that people play with their own style and characteristics.

Where are the classic movie classics?

Is the lens solid, the picture, color and scheduling particularly solid?

Wrong!

In terms of professionalism and solidity in cameras, many domestic filmmakers who are from professional backgrounds are not inferior to others. For example, Brother Kai has a very deep foundation in film cameras and is quite awesome. If you count his movies, you can say that "The Legend of the Taoist", "The Taoist Goes to the Mountain" and "The Legend of the Cat Demon" are bad movies.

But you can't deny that the scenes, shots, and even the performances of his movies are far superior to many movie directors. But he just makes me feel like he is a weasel, and every year is getting worse.

These are not the classic movies. If you look closely at many classic movies, the shots of many movies are not perfect. For example, "The Godfather", some of his shots are very contrary to the rules of camera. However, it is good that classic movies are good that these shots may not be the best, but they are the most suitable!

This is exactly what happened on the camera of "A Chinese Ghost Story".

Xu Jie's movies are imaginative, not only worth it, but also the story, characters and scenes, fighting, and the camera is very important.

If Liu Weiqiang's handheld lenses are the best in Hong Kong, then Pan Hengsheng is the best in the pursuit of art elegance. In addition to Li Pingbin, Hong Kong and Taiwan cameramen can photograph women so beautifully, so it may belong to Pan Hengsheng.

The camera of Nie Xiaoqian played by Wang Zuxian can be felt. Pan Hengsheng himself is a photographer who is particularly able to guess the intention of art guidance. At the same time, he can also express this beauty through the lens.

…

Wu Xiaozu's appearance lasted just over ten seconds, which made the male audience envious to death. If it were Zhang Guozhen, it would be fine. At least his brother's charming style had a halo and both men and women were killed. Although Wu Xiaozu was very handsome... he obviously did not have such popularity.

Everyone looked at the screen and had a kind of cry in their hearts: let go of the flop and let me come!

Director Wu definitely doesn’t know that there were not many fans in his first drama in his life, and black fans appeared in Hong Kong!

As the oil lamp goes out, it implies that the lamp is dead.

This expression of image made the live film critic nod secretly. After experiencing the experiment in "New Shushan Swordsman", Xu Wei finally developed his unique sense of camera.

At this time, the red curtain rose all over the sky, and four very supernatural black characters were displayed - the Ghost Story of the Chinese Girl.

…

“The road of life,

The dream is like a long road,

The road is windy and frost, and the windy and frost are dry.

In the world,

How many directions do you have in your dreams…”

In the winding path of green mountains and green waters, the male actor played by his brother is getting closer and closer with a bookcase in his arms and a man with a pig's feet and a scholar's hat, and he is slowly moving closer and closer, as if he is about to walk out of the screen.

Cooperating with his deep insightful singing, the whole movie shows his temperament.

Zhang Guozhen's peerless beauty and a slightly humorous performance instantly present the image of a little scholar to the audience.

Zhang Guoyan can easily pinch this one-man scene, and you can't feel the abruptness. This does not prove how good Zhang Guoyan's acting skills in this scene, but rather that he has given the characters spirituality.

Acting is not something that requires you to devote yourself to the performance in the whole play. Most of the time, you only need to complete the characters. In the later generations, when Mr. Zhou acts, you will find that she actually exerts two or three points in a play. Those few sections are actually the soul of the whole play, and the rest are smoothly sliding through.

This is the simplicity and priority that conforms to the film process. Actors do not need to give too much content to act.
Chapter completed!