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"Wow!"

Yan Chixia, played by Wu Ma, appeared dazzlingly, and the skeleton mummy poses in real life. The laughter and scolding made Yan Chixia's unruly expression very vividly.

In the ancient temple, the weak scholar played by my brother looked up, and the little fans immediately became popular with Xizi. Zhang Guozhen was the traffic leader in the 1980s. Before this movie was released, one of the reasons why this movie was able to invest was that the fans were very clear.

The appearance of the mummy giggles, and the way of making steel in Wu Xiaozu's eyes is far beyond the tens of millions of special effects in later generations. Guo Xiaosi can shoot a live-action movie like "Juezhi" to a CG feeling.

Tsui Hark and Cheng Xiaodong took a simple shot of this scene for two days, and each shot was posed frame by frame. Tsui Hark used the special effects of local steelmaking to explore the "New Shushan Swordsman" to explore.

The Yaoqin is playing...

Slim jade onion, the thumb belly lightly presses the strings, the fingers are zipped, the hands are soft and the skin is like condensed. The tone of water waves ripples in the Yao column, which tweaks people's hearts and intrigues.

A few strands of black hair brushed across the red lips, and the white gauze danced according to the rhythm. The breeze hidden the color and the heart couldn't help but stir the heartstrings and spring.

Wang Zuxian appeared in a panoramic view, and the whole audience was filled with crotch.

Wearing a white dress and a few layers of veils, I felt so graceful. In the era when plastic surgery, PS and makeup techniques were not yet popular, this stunning look was roughly like the worship she received in Bangzi Country many years later.

In later generations, I don’t know how many otaku will have the urge to shoot the screen when watching "A Chinese Ghost Story". Remember, young people should know how to control themselves.

When Wang Zuxian stretched out his straight calves and beautiful white feet from the white gauze clouds, the temptation was that even if you knew she was a ghost, a demon, or a bad fate, she couldn't help but want to reach out to touch her, get off the horse, and go into the sea.

These long legs are beautiful, not only have long legs but also have good legs, but also very beautiful legs, with even bones and flesh, and thinness. In the era without PS, even in the era with PS, this is a beauty given by God.

Unfortunately, the famous flower has its master, and the gentleman director Wu not only won the first kill, but also achieved the three-way achievement.

Delightful!

This shot has also been imitated in later generations of "The Legend of the White Snake", but obviously, Sister Chicken's performance showed a tram-man-in-law, and it was completely less beautiful and moving than the moment.

Seeing Nie Xiaoqian, who was so beautiful, charming, coquettish and charming, even Wu Xiaozu, a well-knowing family member, couldn't help but show obsession, let alone other movie fans.

If it were someone else, Wu Xiaozu might not allow such a performance, but his brother would be a different matter. Wang Zuxian and his brother have always been good sisters in private.

Wu Xiaozu doesn't have much disgust with homosexuals themselves. After standing in the entertainment industry for a long time, you will find that such things are common in this circle. The most disgusting thing is that some male staff deliberately pretend to be GAY to take advantage of the actresses.

The emotional handling of the drama "A Chinese Ghost Story" is gradually progressing, and then it is presented to the audience bit by bit.

Generally speaking, this drama can be regarded as an experiment and extension of Tsui Hark's "new martial arts". If Wu Yusen's movie is a modern display of the masculinity of Zhang Che's movie, then Tsui Hark's movie is a modern emotion and story, displayed under the costume cloak.

In later generations, Hu Jinquan filmed "The Smiling, Proud Wanderer" with him, and the reason why he ended up having an upset was that Hu Jinquan was a real ancient and Tsui Hark was a fake ancient. His martial arts, his ancient times, are modern emotions, so the audience will experience it more deeply.

Therefore, the Dongfang Bubai adapted by him has such charm.

Everyone has their own style as a top director in Hong Kong. Wang Jiawei's discussion of men and women in the city can penetrate into every movie, including the "East Evil and West Poison", which is still his confusion about the city in his bones.

The movie flashed by scene, and the audience was fascinated by the audience.

Tsui Hark is familiar with controlling the rhythm of the film. In order to dilute the supernatural and terrifying atmosphere of the whole movie, he added a lot of humor to the play, so that the play will not be too gloomy and can highlight the emotional routes of the two protagonists Ning Caichen and Nie Xiaoqian.

In the room, Ning Caichen was hiding in the bathtub. Nie Xiaoqian, with the purple gauze, was constantly pretending to Xiaoqing, and was perfunctory and perfunctory. When Liu Zhaoming played the tree demon grandmother taught Xiaoqian a lesson, the audience's hearts were constantly moved by Ning Caichen in the bathtub.

A big skirt with a red wedding dress moved with the wind. Nie Xiaoqian's shoulders were condensed with fat, his fingers were slightly pinched, and his wide sleeves were interspersed with beautiful hair, his hair was shawl, and his black hair was swaying. When he looked back, he was beautiful and intoxicating.

The dressing was beautiful, and the moment when I took off my skirt and exposed my snow-white jade back, it amazed the entire theater.

At this moment, I'm afraid many people understand what the beauty of the world is.

As the relationship between Ning Caichen and Nie Xiaoqian heats up, the movie also enters the second part. Ye Rongwen's song "Dawn No More" brought completely different changes to the movie.

The audience immersed in the human-ghost relationship between Ning Caichen and Nie Xiaoqian did not feel that this was the last tenderness and beauty. As the relationship developed to the highest peak, the natural twists and turns brought about. The soundtrack of the whole movie began to become precarious from a soothing and quiet look, full of heart-wrenching weirdness.

Huang Zhan's casual hand at music was full of imagination, and he was floating with graceful confusion.

The sound is slow, the sound is slow, the sound is progressing, the sound is urgent...

Wu Xiaozu suddenly raised his head, feeling that Huang Dashen was unscrupulously exerting his wine and lust that ordinary people could not reach.

Use voice to promote the plot?

Wu Xiaozu was not sure, or Tsui Hark did not deliberately pursue it. He might have just made a request, but Huang Zhan gave him a surprise.

sound?

At this moment, Wu Xiaozu suddenly wanted to return to the editing room and edit "Fear Room" again. He seemed to have seen the possibility of using sound montage to interpret that movie. If possible, then his understanding of the movie should be further improved.

Only real directors will understand this kind of throbbing. In the root, Wu Xiaozu has the talent to become the top director. Here we have experience in previous lives, vision and experience in previous lives, and at the same time, experimental opportunities and talents in this life.

"Something?" Seeing Wu Xiaozu suddenly raised his butt and wanted to get up, Jiang Zhiqiang turned his head and asked in confusion: "Is there anything wrong?"

"It's nothing." Wu Xiaozu waved his hand and signaled to continue watching the movie.

If the first half is Tsui Hark's expression of his feelings, then the second half, in addition to Tsui Hark's fantasy and camera processing, Cheng Xiaodong does show the beauty of his action design.

Many people say that "A Chinese Ghost Story" is labeled as Tsui Hark, but it is not without the label of Cheng Xiaodong? Hong Kong Island has countless action guidance, but it can really combine the picture with the action so beautifully and elegantly. It is not possible to get married, not even Hong family class, and not even Yuan family class.

Maybe it's really the only one in Cheng Xiaodong.

When it comes to the beauty of action [Xin Biquge www.xsbiquge.vip], the elegance of image and the rich imagination, Cheng Xiaodong cannot surpass it.

Of course, success or failure is Xiao He. Cheng Xiaodong could have become another Yuan Ba ​​Master, but unfortunately, he fell into his own elegance and couldn't extricate himself. After filming the peak work "The East is Unbeaten", Cheng Xiaodong fell away just like the East is Unbeaten...

The movie continued, and the fierce fight was heart-wrenching. The audience couldn't help but hold their breath and looked nervous.

At this moment, film critics such as Huang Ailing were also focused on the screen and forgot their responsibilities.

There is always a good movie that will make you follow him, such as "The True Color of Heroes" or "A Chinese Ghost Story".
Chapter completed!