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In the dark night, in the rain, black umbrellas, black clothes, Yu Bai was calm, slow motion, paired with small drum beats, and bagpipes were sandwiched in the middle.

The man who escaped from the "Sea Prison" held an umbrella and stood in the heavy rain. A lightning struck down, and Zhou Runfa's face appeared in front of the audience.

He frowned and formed a "chuan" character, and looked at the room with a gloomy face not far away.

The music of "Merry Christmas" has been slowed down a few beats, less joy and a little more bleak.

In the restaurant not far away, Liang Jiahui held a glass of champagne, showing a cynical smile, and looked at the smiling wife and daughter, killing the champagne in the glass, pressing the record machine casually, and at the same time pushing the cup behind him.

With a swipe, the champagne glass fell on the sofa.

"Dadadada—"

Suddenly, the passionate dance music started to play. Liang Jiahui twisted his hips and walked towards Lin Qingxia, lifted up the other person's chin, and began to twist his whole body with great pleasure.

Click!

With a loud thunder, Liang Jiahui smiled and raised his head, looking at a familiar figure not far away.

His head tilted slightly, his eyes were filled with jokes and innocence, and then he deliberately hugged his "wife" and "daughter", smiling very furiously.

Zhou Runfa, who bit Wade's cheeks, looked cold and filled with uncontrollable anger.

After changing his identities, "Liang Jiahui" became a hero in the police station, pretending to be Liang Jiahui and becoming a hero, enjoying his wife, and also setting up arranging the police to kill "Zhou Runfa".

Click!

Another thunder—

Illuminate the surroundings of Zhou Runfa.

A black umbrella stood behind him, everyone was wearing black clothes and black pants, and they were very particular in their standing behind him.

Using lighting effects to express the interpretation of the station to the space is Wu Xiaozu's labeling method. This scene is no exception. As the lightning flashes, the audience will see the station flashing behind him.

The "friends" standing behind him stood coldly and stood there, and the whole picture was full of ritual.

Two people who exchange identities look at each other from afar. One hugged his "wife" and the other looked coldly at him from afar. This ritual-like position itself indicates an implicit "

choose".

When the camera gives the other party an objective shot, it is mixed with its own subjective shots to display. Through the inheritance of the "little habit" after the two actors exchange identities, the description of details actually makes the two people clearly manifest.

In the first few dozen minutes, the two people kept clashing with each other.

The confrontation of the plane explosion. The first showdown after the exchange of identities in the prison. The battle during the arrest. Each time, the two people brought the audience a wave of sensory and psychological stimulation.

"This weather is quite interesting. Have you discovered it? Before Liang Jiahui changed his face, and before the identity exchange was destroyed, the police were all sunny when they appeared. When the face changed and lost control, the dark and rainy days became

Normal.” Paul Fang said to Lu Yanhua, who wrote and painted next to him, and recorded his feelings with devoutly.

"Day and night are a sensory psychological hint. In fact, Wu Xiaozu showed many amazing psychological hints in this "Two Heroes". The previous 'X', the camera changes between day and night,

The character's small movements were originally liked to frown, but now Chow Yun-fat is here to play the policeman after changing faces, and still retains this habit, allowing the audience to easily distinguish the character.

The whole movie is not only a passionate gunfight film, but also a good textbook that best describes the atmosphere, environment and characters! All Hong Kong filmmakers should watch this movie."

Lu Yanhua, Wu Chui, began to brainwash his companions.

"It's really exciting!" Paul Fang thought about it and nodded in agreement.

In this "Two Heroes", the audience saw the pleasure, the filmmakers saw the innovation and skills, and the film critics saw the feelings and metaphors. Good movies can always attract different groups of people with different aspects.

Many people even think that this movie has an allusion to 97 metaphor.

In the 1980s and 1990s, most Hong Kong movies revealed confusion about the future and were very worried, which could be seen clearly from many details.

This kind of confusion may be an unreasonable thing in later generations, but it was indeed the case in the 1980s and 1990s when the stunts had not yet grown.

First, naturally, there are film creators who are indeed worried about the situation.

Second, it is naturally a few major ticket warehouses for kitsch, especially the Wanwan ticket warehouse.

Some people say that there is no need for kitsch inspection department?

The reason why movie ratings have a long way to go in the mainland is not only because the consequences of the rating system are contrary to our laws. For example, the spread of obscene information is prohibited by law. Therefore, unless the supervision can be really in place, the ratings are

It is unrealistic in the mainland in the short term.

Another reason is that there are no special circumstances in the grading movies, and the inspection office is not allowed to say NO to the movie! In other words, it cannot refuse you to release or ban you. This may be more difficult for the inspection office in the mainland.

One thing.

Different people have different eyes on Jaylen Xiaogongju and Oki, different Lao Bi and Ken Yamagata, and different Ria Sakurai and Angela Chang... This is the case with the movie "The Two Heroes". Some people saw the passion and blood,

Some people see implicit metaphors.

The art of movies is that everyone has their own concerns. Through self-observation, they discover different attractions.

…

In the last scene, several people held guns and confronted each other like Russian turntables. With a wonderful fight, Zhou Runfa and Liang Jiahui rushed into a room in the amusement park where "Nicholas Tse" was killed.

"Brush! Bang-"

Zhou Runfa suddenly raised his gun to the opposite side, looked at the same person who raised the gun on the opposite side, and hugged the trigger without hesitation. In an instant, a glass shattered, and then the sound of gunfire and glass fragments came from the side.

At this moment, the lens looks around and countless mirrors are placed in the room randomly.

"brush!"

Liang Jiahui pointed his gun at the mirror, and the mirror was his most familiar face - Chow Yun-fat's face was refracted in front of him many times after passing through the mirror.

"Dao thud...Dao thud..."

A classic piece of Berlin footchase, a pure music music that was very classic in later generations, made the audience nervous.

This soundtrack comes from a very classic series of movies in later generations - "The Spy Shadows".

The atmosphere is getting tense.

In this plot, Wu Xiaozu used an tilted picture composition, so the portraits reflected on the mirror are also tilted shots. This kind of shot itself reflects the nervous and subversive mood of the two protagonists.

To make things happen, we need to be corrected in urgent need!

The feeling revealed by this tilted composition also makes many people feel that Wu Xiaozu has a strong and sticky talent!

This application to mirrors is not original by Wu Xiaozu. Before that, the great director Tarkovsky's "Mirror" can be said to be a true appreciation of the master's wonderful use of mirrors.

Through the mirror, Wu Xiaozu captured more of the "mirror" captured by the mirror through the lens. Later generations, the mirrors in Yang Dechang's "Yiyi" were also full of talent.

The metaphor of the character's psychology and the complex and numerous lens-based processing are enough to make colleagues ashamed.

In order to shoot this scene, Wu Xiaozu spent hundreds of thousands to build a special shooting room. The camera position was so tight that it was harsh.

"Mirror……"

Wang Jiawei, who was sitting in the audience, suddenly turned his head and said to Liu Zhen and Wei Xise: "I feel that the shooting of this mirror is really amazing!

The two protagonists look at themselves and their faces in the mirror, which is probably a pursuit of their true self!

Using a mirror can make the film feel layered and convey psychological feelings. This is really sharp. It is a genius display!”
Chapter completed!