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In the mirror inside the screen, Liang Jiahui kept running away, and Zhou Runfa chased after him.

The entire room covered with glass mirrors had long been in chaos.

Suddenly, the mirror was broken, and the lens showed the entire scene of two people escaping with a large panoramic view.

Flipped through the window with bare hands, jumped, rolled, and leaped, and shots were presented on the big screen with sharp editing.

What stimulates the adrenal glands the most is a set of scenes of racing chasing. "Liang Jiahui" snatched away the son whom his mistress gave birth to him and fled, then hid the child in the church and stuffed a crossbow to protect him.

Since it was said that it was a gunfight action movie, and both men shot, how could they not have more exciting actions?

(☆_☆)/~~

Action is the most sturdy pillar element of commercial movies!!

The chase scenes have always been the most classic and representative label in Hong Kong films. Hong Kong films have contributed many wonderful chase scenes to world movies.

When the group of Hollywood's action scumbags first saw the design of the martial arts director of Hong Kong films, they were almost shocked. There is a big one, with both hands and feet, how could you Asians "squat in Asia"?

Violent neighborhood?

If the respected master of Oscar achievements, the pride of Chinese people, and the Hong Kong action man led by Brother Cheng Long launched the "dangerous parkour" that he used his life to fight for decades ago, as Chinese people, we wouldn't be so good, right?

Anyway, the big guy Cheng said this in an interview program in later generations...╮(╯▽╰)╭!!! No, no...black, Bazaar hey!

Under Pan Hengsheng's multiple track shots, the artistic conception of this movie has been revealed.

In this movie, the use of track is definitely the finishing touch.

The movie itself is naturally a two-dimensional content. When watching a movie, the audience must be allowed to devote themselves to this two-dimensional picture. Take them to travel, search and explore. This is the sense of inclusion pursued by many directors.

This feeling of turning two-dimensional into three-dimensional space can be fully displayed in front of the audience through tracks and lenses, making the audience look forward to the film.

Wu Xiaozu emphasized space, mirroring, color and light, all to create a sense of inclusion.

This is just like listening to crosstalk. You know that the young master’s real name is Yu Qilin, but you just want to show that his surname is Guo!

Yes, that's roughly what it means, without flaws.

This is called improvement in artistic conception!

In the eyes of countless people who know it, this work is undoubtedly an excellent work that has been elevated to the artistic conception.

Just like the 1986 "The True Color of Heroes" to Wu Baige, after decades of Chinese-language movies, there is still no work that can achieve the artistic conception of showing brotherhood with romantic and gorgeous lenses.

…

The last scene was originally placed on the rooftop at 333 Zahwa Road, North Point, Hong Kong Island. Unfortunately, it was not the famous filming place in Hong Kong films, and it was not suitable for shooting.

Later, Wu Xiaozu thought of Jiulong City Village. He always felt that Jiulong City Village was a place with special appearances of sentient beings. But at that time, he still gave up this idea because of the tone of the film.

In the end, he chose the church rooftop at the beginning of the film to film the scene.

The vast rooftop is surrounded by dilapidated and decaying buildings. The prismatic Catholic church has huge crosses and white doves dance.

The lens is from left to right, with a very low angle, and it also has a zoom, sweeping over quickly,

phoenix,

The corner of the suit was blown, and with a clatter, he suddenly turned around. The camera suddenly pulled up and turned into a large panoramic view of movement.

"Swish!"

"Swish!"

The two guns stood in confrontation, and under the camera, the two men pointed their guns at each other's heads.

The background music sounded, and the guitar gently picked up the strings, gently swept the music, the sound of the wind, the piano, and the deep and complex performance of the cello and the blur of the saxophone.

Liang Jiahui raised his eyebrows and smiled at the corner of his mouth, "You, you will never have a memory."

A bullet?"

While speaking, he took out another pistol from his back and pointed it at Zhou Runfa.

"One bullet is enough." Zhou Runfa bit the cheek.

"OKOK...Brother, to be honest, every time I see my sexy face, I really can't do it." "Liang Jiahui" looked at Zhou Runfa's face with a little obsession.

"I'm just the opposite. Every time I look in the mirror and look at this face, I feel disgusting." Zhou Runfa recited the lines humorously with his handsome face.

The cross is shining with sunlight and the shadows continue to grow.

Zhou Runfa glanced at this change, slowly moving his pace, calculating the angle of the sunlight.

The lens cuts to close-up-

Sudden!

The sun shines on Liang Jiahui's eyes, causing him to subconsciously blink-

Bang!

Bang bang bang bang!

The camera gave Liang Jiahui. He touched the blood hole in his chest, raised his feet and kicked Zhou Runfa who was moaning on the ground.

Swish!

A strange sound!

Not far away, a teenage boy with trembling trembling stood there in fear holding a crossbow.

Liang Jiahui looked at the son whom the mistress gave birth to him, showed a smile, and the corners of his eyes flashed with debts, shook his head helplessly, and reached out to wipe his chest, blood flowed through—

In the panoramic shot, the little boy stood tremblingly, and the crossbow in his hand fell to the ground. Two men were on the ground, blood flowing, and the shadow of the cross attached to Liang Jiahui, and the tip was pointed at the steel arrow.

Full of black humor and destiny mockery.

The audience, critics and filmmakers looked at the sudden reality in front of them, and felt like they were pinching their hearts hard by fateful hands.

Liang Jiahui "hijacked" his son and prepared to leave, hid him in the church, and prepared to take him far away.

Then,

In the church, where he accidentally shot, he was killed by his son.

This ending is full of Wu Xiaozu's paradox!

"Damn!"

Countless film critics were shocked.

Wu Xiaozu's final ending was filmed in two versions. The first one was that the two of them were fighting in the racing and leaping just now. The bandits were killed and the police won.

The other is the rooftop scene where the two of them stood on the rooftop.

In this premiere, he chose the second ending and saw the audience's reaction in advance. There are many famous rooftop dramas in Hong Kong films, such as "Poltergeist", "Dark War", and "Eavesdropping Storm" including Brother Cheng Long's

The rooftop drama. Of course, the most famous one is "Infernal Affairs".

The rooftop drama was not taken out alone before "Infernal Affairs".

Wu Xiaozu hopes to finally finish the end of the entire movie through this confrontational composition.

However, Hong Kong Island is Hong Kong Island after all, and business is always business.

If this ending really cannot make the audience feel comfortable, then he will choose the first solution without hesitation.

However, although looking at the shocked expressions of the audience were a little abrupt, it was obviously not disgusting to the audience.

In fact, no matter which one it is, it will naturally be a happy ending for the positive characters to win.

Obviously, as long as the audience is happy enough, they don’t mind the director having some of his own ideas!

The final shot is naturally the end of Zhou Runfa, who was rescued by the police, who was finally replaced by "Liang Jiahui"'s face, and then reunited with his wife and daughter.

The screen gradually fades—

Suddenly, it lit up again.

The many viewers who were about to get up were all forced back to their positions.

Liang Jiahui, who has returned to his original position, was receiving commendation from the police station. Suddenly, his face turned slightly, revealing a scene that was slightly inconsistent with the role!

Before the audience could react, the picture came to an abrupt end!

The theater lights were on, and the ending song of the film was accompanied by the drum-shaped drum beats and hand-ringing rings. A rock song with low voice but full of charm resounded throughout the theater.

“My loneliness and my tears, my performance doesn’t matter;

If you want to be strong, you need to suffer; if you want to regret, you need to repent;

It's better to shut your mouth...oh...

There is no right or wrong in dreams, there is peace and danger in dreams,

I am you, you are me... We have both mistakes and right..."

Wu Xiaozu cosplayed the song "Black Dream" by Dou Xianren in later generations, and led half of the apprentice class to sing this ridiculous rock work.

"Is Liang Jiahui Liang Jiahui?" Lin Qingxia asked in confusion.
To be continued...