At the beginning of 1980s, it was Jiahe's world, because my junior brother was released and the box office exceeded 10 million.

In mid-August of the year, Shaw Brothers was the world. Because the God of Gamblers was released, it directly broke the box office threshold of 20 million and reached 25 million. In October, Shaw Brothers was still the box office because of the best bad friend's release, and got a box office of 20 million.

By the end of the year, Shaw Brothers stopped. Originally, Jiahe thought it was the only one in the family, but he did not expect a new disruptor to join in.

A week before New Year's Day, on December 24, the Ghost Fighting Ghost produced by Sammo Hung's Baoxiang Film Company was released on Jiahe Theater.

On the same day, the first film, Funny Times filmed by New Art City, which was just established, was released in Princess Jin.

On this day, the Xinyi City, which originally shocked the Hong Kong film industry and was in a state of sensation, hitting the two giants of Jiahe and Shaw Brothers, was unable to resist even if they joined forces, stepped on the stage of Hong Kong's film history for the first time.

What is ridiculous is that the director of the Creative Age of this pioneering work of New Art City was Wu Yusen, the signed director of Jiahe, and was filmed by Wu Shangfei.

In September, Maijia, Shi Tian, ​​and Huang Baiming established the New Art City with the support of Lei Juekun, the owner of the New Princess Cinema. However, after getting the investment, he could not find anyone who could be a director, so he had to ask Wu Yusen to give up. Wu Yusen refused but could only agree. However, due to having an appointment with Jiahe Film Company, he had to secretly shoot the comic era for New Art City.

Wu Yusen is both a director and a screenwriter, and Shi Tian, ​​one of the three giants in New Art City, is the starring actor.

The film tells the story of a homeless man who encounters orphans Wang Wei in hunger and poverty in the post-war society of recession, a homeless man encounters orphans in the midst of hunger and poverty, a poor song queen Xiuwen and a drunkard, and a bad man who sells humans kidnaps the singer and the orphans together. Finally, the homeless man and the drunkard rise up to ambition to subdue the bad man and rescue the orphan and the singer.

After this film was released, it was a fight between you and me, who were released at the same time. The box office of the two films was also a little more today and I will be a little more tomorrow.

Wu Shangfei, where did this director come out?

Whenever Zou Wenhuai remembered this funny era when he was facing him, he couldn't help but grit his teeth and mutter.

Fortunately, Zou Wenhuai didn't know that it was Wu Yusen, who was under his command, otherwise he would have to be angry to death. He would have to strangle Wu Yusen to death before he was angry to death.

The Funny Age and the Ghost Fighting Ghosts, the quality of both movies is very high, and the box office is stalemate. In the end, the ghost fights Ghosts, as the pioneering work of supernatural kung fu films, is slightly better.

There is no way, Hong Jinbao's Hong family class's movement design is absolutely first-class, and it also pays attention to the traditional Chinese ghost customs and fun. The fight is also wonderful, terrifying and just right.

There is comedy in fights, horror in comedy, and various elements, so it is naturally a little more popular than the Funny Times.

Especially when ghosts beat ghosts, the plot of both sides setting up an altar to fight to ask gods to get the upper body is so funny. Sun Dasheng beat Nezha; Red Boy's big stop Lu Dongbin, Hong Fatty's huge body was playing with the monkey fist and then using the Red Tassel Spear. Everyone laughed when watching this.

In the end, even though he drew three days earlier than the Funny Times, he still won a higher box office of 5.67 million.

Funny Times was released for three more days and got a box office of 5.18 million. Although it was hundreds of thousands less than the ghost fighting ghost, as the pioneering work of New Art City, this box office was enough to make Maijia and the others laugh.

You should know that the total investment in the Funny Age is only one million. If you have more than five million, Xinyi City can get two million. Adding to SH's foreign income, even if the Golden Prince mainly divides a large part of the profit, each of the three giants is enough to share a large amount of money.

Jiahe is quite satisfied with the box office of the ghost fight ghost. Although it is not as good as Shaw Brothers' two fierce films, the ghost fight ghost fight ghosts has only been released for half a month. Whether it is the God of Gambling or the Best Bad Friends, it has been released for a month. Of course, these two movies have been released for a long time because the attendance rate is guaranteed. Unlike the times when the ghost fight ghosts and the comics are not strong, the attendance rate fell below the bottom line in just half a month, and I had to draw it down.

These two movies were released in Christmas. When the paintings were finished, 1980 had passed, and time came to 1981, almost entering the Spring Festival.

Whether it is the Christmas or the Spring Festival, it is the most concentrated period of movie release, and blockbusters and fierce films are basically concentrated in such a time period.

On the eve of the Spring Festival, on January 30, another general of Jiahe, directed by the cold-faced laughing craftsman Xu Guanwen and starring the Xu brothers, the modern bodyguard, was released in Jiahe Theater.

Then, during the Spring Festival, the movies we talked about were basically modern bodyguards, and most of the actors we talked about were Xu Guanwen and Xu Guanjie. As for the ugly and ugly Xu Guanying, most of the time, they were ignored.

Jiahe's movie is being released in full swing, and Qiao Feng is between two women, Zhong Chuhong and Guan Zhilin. He is with this one today and that one tomorrow. He only watches three modern bodyguards. One is with Zhong Chuhong, one is with Guan Zhilin, and the other is with his mother Lin Wanqing.

He was busy every day, and Wang Jing couldn't help but tease him that he had love and forgot his career.

"Tell me, how long has it been since you wrote a new script? Have you forgotten how you wrote a script?"

On this day, Wang Jing invited Qiao Feng to his house for dinner. As soon as Qiao Feng entered his house, Wang Jing couldn't wait to mock him.

"Happy New Year Uncle Tianlin." Qiao Feng first greeted Wang Tianlin, the chubby Wang Jingdou.

"Happy New Year." Wang Tianlin said with a smile as if Maitreya Buddha.

After saying hello, Qiao Feng looked at Wang Jing and said, "How do you know that I didn't write a script? Do you have to notify you every time I write a script?"

"Who are you lying to? You are so busy that you are no longer at home every day. You are still writing scripts, which you wrote in your dreams." Wang Jing sneered.

"For geniuses, let alone dreams, I always write scripts when I have sex." Qiao Feng said with a strange smile on his face.

"Smacking?" Wang Jing doesn't understand this meme.

"That's..." Qiao Feng smiled in a low voice and leaned into Wang Jing's ear to explain.

"Get out." Wang Jing laughed and scolded.

After joking with Qiao Feng, Wang Jing ran back to the kitchen and went to cook with his wife.

Qiao Feng sat on the sofa and started chatting with Wang Tianlin.

"Afeng, what new script has been written recently? Can you give me an early look, old man?" Wang Tianlin asked with a smile.

"Well, Ajing is really right. I haven't been writing a new script recently." Qiao Feng said embarrassedly.
Chapter completed!