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Chapter 43 Future Planning

"Novel?" Wang Tianlin was surprised. Why did Qiao Feng think of writing novels? He could easily earn millions and tens of millions of dollars by writing a script. Why do he have to write a script? Whether he can write a good one is not to say it, it is time-consuming and labor-intensive. The key is that he doesn't make much money by writing novels.

A word of five, a long piece of writing a million words is only five million. How much time is spent and how much time it takes to write a script is not equivalent at all.

"That's right, novel." Qiao Feng nodded.

Wang Tianlin pondered for a moment and asked, "What type of martial arts?"

If it is martial arts, Wang Tianlin feels that he can provide some help to Qiao Feng. Many of the TV series he produced at Shaw Brothers are martial arts. He is a lot of producers of Jin Gu, two martial arts masters. He asked himself that he should have a much better understanding of martial arts than Qiao Feng, a young boy.

Unfortunately, Qiao Feng shook his head and said, "It's not considered a pure martial arts, I personally classify it as a time travel category."

That’s right, Qiao Feng wrote the pioneering work of the time travel article, the story of Qin, and Huang Daxia also made it popular in mainland Hong Kong and Taiwan.

Of course, there are not necessarily many people who have read the original novel, but I believe many people have watched TV series filmed on wirelessly.

Xiang Shaolong, an elite special forces soldier from the 20th century, became a white mouse in the space-time experiment and was sent back to the Warring States Period in BC; however, a devastating explosion occurred in the space-time machine, and all the experimenters involved were wiped out. Xiang Shaolong lived in the most turbulent and rapid changes in China two thousand years ago, so he slapped women in the face, and changed history. The historical inertia was too strong and it was not changed, but Xiang Shaolong had a group of friends, killed a group of enemies, and then retired with the United States.

After Qiao Feng's brief introduction, Wang Tianlin learned what time travel is. I personally think that the beginning of Qiao Feng's retelling is very novel and thinks it has the potential to be popular, but Wang Tianlin still can't understand why Qiao Feng doesn't write movie scripts that make money easier, but spends time writing novels that don't make much money.

Wang Tianlin naturally didn't know that at this time the novel was a novel, at most it would be adapted into TV series and movies.

But Qiao Feng knew very well that if the novel is well written, there will be more aspects to develop profits in the future.

Think about the later generations of China Literature's pan-entertainment IP strategy, how many authors have become popular, how many TV series, movies, animations, games, how many unknown actors have become popular, and how many advertisements have been filmed by those actors. That is completely a one-stop entertainment industry.

A high-quality novel, just the copyright authorization of derivatives, is a huge income. If you are qualified to invest in copyright, the income will be even more profitable.

Since you have entered the entertainment industry, you must keep up with the industrial layout in order to acquire more goddesses.

Xun Qin Ji is Qiao Feng's first test work that entered the publishing industry.

However, Qiao Feng didn't want to explain so much to Wang Tianlin. After all, Wang Tianlin is still a wireless person and is the most valued senior executive. It would be a bad idea if Shao Yifu and Fang Yihua knew what he planned.

"Then are you going to publish it in that newspaper, Ming Pao? I know Mr. Cha. Do you want to tell me about it for you?" Wang Tianlin asked.

"Well, I won't bother Uncle Tianlin anymore." Qiao Feng said embarrassedly.

"What trouble is it? You and Ajing are friends. You still call me uncle. Isn't it okay to do a little favor?" Wang Tianlin said with a smile.

"No, Uncle Tianlin, really no need. I'm not polite to you, but my novel is something that doesn't fit Ming Pao's positioning. You said hello, and Mr. Cha agreed. Finally, I regretted it so bad when I saw the novel. Not only did Mr. Cha make things difficult, but he might also be dissatisfied with you. If it was that bad, it would be so bad." Qiao Feng explained hurriedly.

What is that, of course it is that. Anyone who has read Xun Qin Ji knows that some of the descriptions of this novel are very explicit, but to be serious, they are a little bit yellow. They always have sex with each other, which is completely different from what is performed in TV series.

But there is nothing to do with this. It’s not a bit lustful. The novel Huang Daxia cannot be so popular all of a sudden. When you first read it, you were all attracted by that.

Therefore, as a newcomer to the novel industry, Qiao Feng didn't plan to change anything, so he followed the original version and needed the lower limit to be popular.

A bit of erotic novel is a bit different from the positioning of the high-end elite in Ming Pao. Even if others can pass it, they will not be able to pass it with Mr. Jin Daxia Cha.

Another thing is that Jin Daxia is too stingy and the royalties he gives will definitely not be high.

In Hong Kong, Ming Pao’s column version has a very strong status. The big newspapers are low in rewards, and there are still many people who follow them. Kim Daxia once said: Opening a column in Ming Pao is a symbol of identity. If you have opened a column in Ming Pao, are you still afraid that you won’t get any money?

It is said that this is just said that during the time of Jin Yong's editing of "Ming Pao", he specially invited Lin Yanni and Yishu to sign a contract to write a column. Each person has an article every day, and the two insisted on writing for a whole year.

When the contract was renewed, Lin Yanni asked for a royalty increase in front of Jin Yong. After hearing this, Jin Yong did not give a reply, but asked with a smile: "What is the shape of the moon on the fifteenth night of the lunar month?"

"Of course it's round!" Lin Yanni replied without hesitation.

"You are the moon on the fifteenth night!" Jin Yong exclaimed.

"How do you say this?" she asked in confusion.

"You spend money with great effort. No matter how much you give you, you will spend it perfectly like the moon on the fifteenth night. Spend money like the moon on the thirty night, brightening part of it and saving part. So, I can't add royalties to you for the time being." Jin Yong said.

In this way, Lin Yanni's request to increase the royalties was rejected. Two days later, Yishu also proposed to increase the royalties.

Jin Yong asked her what the moon was on the thirty night of the lunar month, and she replied, it looked like a curved eyebrow.

Jin Yong said: "You are like the moon on the thirty nights of every month now."

She asked in confusion: "How do you say this?"

Jin Yong explained: "You are a frugal person, just like the moon on the night of thirty. No matter how much money you give you, you can't bear to spend. No matter how much money you hang in the air like a bent eyebrows, it's dull and useless. When will you spend money as bright as the moon on the night of 15, I can raise your royalties for you, and I won't give it now."

Jin Daxia is not only stingy with the author, but also with the employees. He once said: "You can't waste too much when running newspapers."

Running a newspaper is different from writing martial arts novels. Jin Yong reads it very practically, and it is so stingy. He has always implemented a "micro salary system" to the reporters of Ming Pao. He told young reporters that working in Ming Pao is their honor. Don't be careful of this little salary, there are still people who want to come in line!

Look at this, it's domineering, but it's also stingy.
Chapter completed!
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